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  dyn

040. Paalen, Wolfgang (ed.)

DYN. Number 1. (of 6 published) Published and edited by Wolfgang Paalen, assistant-editor Edward Renouf. Mexico: April - May, 1942. Quarto, 52 pages, 10 tipped in plates of which 6 in color, 1 full page illustration and several text illustrations. Yellow illustrated wrappers. An unusual clean copy with just the slightest soiling to covers.

- First edition. In frontispiece: Dyn is a word that proposes something new in art and thought. The meaning of the word will crystallize out of the material offered in Dyn. This and following numbers of Dyn. DYN is a review of art and literature which proposes to open the way for better understanding of the importance of imagination. Dyn will not confine itself to any preconceived direction, but will start with sufficiently well-established premises to allow of the greatest freedom of expression. Summary: Wolfgang Paalen; The New Image / Suggestion for an Objective Morality / Seeing and Showing; Edward Renouf: Regionalism in Painting; Alice Paalen: The sleeping woman (translated from the French) / à I'lxtaccihuatl; Georg Christoph Llchtenberg (1742-1799): Aphorisms; Medecine (French and English). In French. Charles Givors: L'auto/ Les nouveaux Sauriens; César Moro:Poemes; Wolfgang Paalen; Farewell au Surréalism / L'Image Nouvelle / Aperçu pour une Morale Objective / Paysage Totemique. Illustrations. John Dawson: "What the sailor will say" (oil-painting); Wolfgang Paalen: "Figure pandynamique" (oil-painting). "Polarites Majeures" (oil-painting); Woodcut (Original); Jean Caroux: "Paysage errant" (oil-painting); Edward Renouf Drawings; Alice Paalen: Tableau-Poème (gouache); Eva Sulzer: Photographies de la Colombie Britannique. euro 300

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  dyn

041. Paalen, Wolfgang (ed.)

DYN. Number 4-5 (of 6 published) Published and edited by Wolfgang Paalen, assistant-editor Edward Renouf. Mexico: 1943. Quarto, 83 pages, numerous illustrations of which 11 colored plates. Illustrated wrappers. The slightest trace of waterdamage to b0ttom of magazine.

- First edition. Contents: The Codices of Azoyu by Alfonso Caso; Totem Art by Wolfgang Paalen; Those Hunting Grounds by Gustav Regler; Tlatilco, Archaic Mexican Art and Culture by Miguel Covarrubias; The Enigma of Maya Astronomy by Maud Worcester Makemson; Seals of the Ancient Mexicans by Jorge Enciso; New Discoveries in the Temple of the Sun in Palenque by Miguel Angel Fernandez; The Painting in Mexican Codices by Carlos R. Margain Araujo; Xiuhtecuhtli; Gabriel Vicente Gahona, Mexican Artist of the XIX Century by Francisco Diaz de Leon; Birth of Fire by Wolfgang Paalen; Coricancha by César Moro. Book-Reviews by Charles Givors, Eva Sulzer and Wolfgang Paalen. Illustrations by Miguel Covarrubias, Rosa Rolando, Miguel Angel Fernandez, Flo-Rence Arquin, Francisco Diaz De Leon, Eva Sulzer, Manuel Alvarez Bravo, Marie Louise Vogeler, Jorge Enciso, Alice Paalen, Luis Limon Aragon, Martin Chambi. euro 140

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  bucholz

042. Buchholz, Erich.

Eau de cologne 1.. Der guten Kunst gewidmet. 1. (all published). (Tobiès, Renate + Silex, Christoph. editors) Köln: Eau de cologne Verlag, 1968. Squarish quarto, 55 pages, numerous illustrations. Stiff illustrated wrappers.

- First edition. One of 200 copies with an original signed woodcut by Erich Buchholz. With a special section on Erich Buchholz, reproduced articles written by Buchholz from the twenties on + text and reproductions by Kassak, Carl Laszlo, Tairow, The living theatre, and more. euro 200

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  bucholz

043. Buchholz, Erich.

Eau de cologne.(Buchholz, Erich) Der guten Kunst gewidmet. 1. (all published). (Tobiès, Renate + Silex, Christoph. editors) Köln: Eau de cologne Verlag, 1968. Squarish quarto, 55 pages, numerous illustrations. Stiff illustrated wrappers.

- First edition. euro 40

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  egozine

044. Lambert, R. J. (ed.)

Egozine. Vol. 2, No. 2 / enlighted self-interest. International Edition. San Gerónimo: Egozine, (n.d. - mid seventies) Quarto, 60 pages, illustated throughout. Illustrated wrappers.

- First edition: Summary: Editorial pages: Course Collision - Designing Living; Letters/discussion: G.A. Cavellini: Casa Cavellini - A.S.C.O.: Chicano Chic - Dans la mode "trop marginale"- COUM: "Cease to Exist'/Letter - Barbara O'Mary: "Pleasures of the Country' - RE: Fashion Fetish - Business as Usual - "Ladies from Hell" - J.R. Lambert: Letters - Jerry Dreva: Letters - J.J. Baylin: Letters; Casa Egozine Art: Forms of Death. Furthermore a drawing by Gronk and photos by Cosey, Baylin Jeresek, Lambert and several photocollages. euro 30

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  eupalino

045. Portoghesi, Paolo. (ed.)

Europalino. Cultura della Citta & della Casa Rivista Trimestriale. City & House Culture Quarterly magazine. Text in Italian and English. Large folio with illustrated wrappers. Text in Englisch and Italian. Roma: “L’ERMA” di Bretschneider, 1984 - 1988. (8 of 12 issues published). Large folios. A near mint set, except for nr. 6 that has minor dent to the top of spine.

Nr. 2. Primavera 1984. 56 pages of which 2 foldout pages, illustrated throughout in color and black and white. Stiff wrappers with on front cover an image of a frame designed by Frank Lloyd Wright.

- First edition. Content: Pasquale Chessa – Giorgio Agamben: The Philosophy of the period; Antonio de Bonis: Under two cultures; Valerio Magrelli: The shape of the house; Paolo Portoghesi + Ludovico Quaroni: Return to the city; Pietro Gallina: A Temple on the water; Carlo Aymonino: The Rome Colosso; Pierluigi Eroli: Through the eyes of William Morris; William Morris: News from nowhere; Gugliemo Bilancioni + Gian Paolo Consoli: The tale of an ancient; Achille Bonito Oliva: Assassin the hope of art; Francesco Cellini + Enrico Valeriai: Images for the Biennale; Constantino Dardi: The scene of things.

Nr. 3. 1984. 56 pages of which 2 foldout pages. Illustrated throughout in color and black and white. Stiff wrappers with on front cover a decorative detail of the facade of the Palazzo Farnese.

- First edition. Content: Gerard George Lemaire + George Cargouste: Mythe et Nécessité; Henry N. Cobb : Portland Museum of Art ; Michale Graves : The Humana Building ; Paolo Portoghesi : Parallel Signs ; Francesco D’Amato : Machado & Silvetti; Valeria Magrelli: Stations: Giorgio Caproni; Guglielmo Bilancioni: The Rock of Cities; Pietro Gallina: geometry and ruin; Angela Marino: Rafaello: Architetural painting; Christian Norberg Schulz: Heidegger sull’Architettura; Costantino Dardi: The House of Things.

Nr. 4. 1984. 56 pages of which 2 foldout pages. Illustrated throughout in color and black and white. Stiff wrappers with on front cover a plate from Palladio’s Four Books of Architecture (Isaac Ware, London, 1738).

- First edition. Content: Francesco Perego + Andrea Carandini: the fad of Archeology; Robert A.M. Stern; Giancarlo Priori: The Living frame; Giancarlo Leoncilli: The Transarent Velarium; Luca Quattrocchi: Giovanni Michelazzi’s Intimate Architecture; Arduino Cantafora: Rome as a Painting: Paul Valéry: Paradoxe sur l’Architecte; Sergio Terracina: Valery Prophet of the Art Nouveau?; Pietro Gallina: The Silent Structures: Valerio Magrelli: “The Bedroom Chamber” by Attilo Bertolucci; Fabio Mariano: The Architectural Alphabet by J.D. Steingruber; Guglielmo Bilancioni: Emblemata Moderna.

Nr. 5. 1985. 64 pages of which 2 foldout pages. Illustrated throughout in color and black and white. Stiff wrappers with on front cover a reproduction of Arduino Cantafora’ s painting “Memories”.

- First edition. Content: Goffredo Petrassi + Pietro Callina: The Mechanical Nightingale; Antonio de Bonis: Ricardo Bofill/The Force of Clarity; Dario passi’s City; Claudio d’Amato: Plain Chant; Francesc Cellini + Nicoletta Cosentino: A Dream, A desire...; Valerio Magrelli: Antonio Porta/Between Body and Matter; Guglielmo Bilancioni: Michel de Klerk/one’s own Household (Eigen Haard); Gianni Contessi: Eulogy of Old-Fashionedness; Fulvio Irace: Alessandro Mendini/ Under the Sign of Doubt; Costantino Dardi: Platonic Solids; Gian Paolo Consoli: Bade Runner: at the gates of Tannhauser; Egidio Eronico: in this future/notes on Philip K.Dick; Paolo Portoghesi: Antonio Donghi Painter.

Nr. 6. 1985. 64 pages of which 2 foldout pages. Illustrated throughout in color and black and white. Stiff wrappers with on front cover a reproduction of a drawing by Francesco Cellini.

- First edition. Content: Gianni Vattimo + Carlo Olmi: Philosophy of the City; Vincenzo Pavan: Léon Krier’s Theophanies; Léon Krier: An Idea of a City; Léon Krier: the Completion of Washington; Alessandro Anselmi: the Necessary Myth; Giancarlo Priori: Giannfranco Caniggia/ Method and continuity; Nicola Pagliara: Marble Tv’s; Luigi Serafini: The Architect Bird; Lucia Bisi: Tomaso Buzzi/ Stoen Dreams; Constantino Dardi: The House of Art; Egisto Macchi Domenico Guaccero; Valerio Magrelli: Franco Fortini: Landscape with Snake.

Nr. 7. 1986. 64 pages. Illustrated throughout in color and black and white. Stiff wrappers with on front cover a reproduction of a drawing by Dario Passo.

- First edition. Content: Conversazione tra Giovanni Michelucci & Paolo Zermani: The Wealth of Ideas; Helmut Jahn: Gothic Crystals; Paolo Portoghesi: Luciano Semerani/ An Ordered Complexity; Luciano Semerani: Portraits pour une ville. Le bateau Blanc; Gianni Eronico: Gabetti & Isola/The Courtesy of Blades; Egidio Eronico: Sandr Giani/ Emotional Architecture; Stefania Tuzi: Giancarlo Priori/Like Words; Paolo Zermani: Theatres of Other Times; Valerio Magrelli: Mario Luzi/ For the Baptism of Our Fragments; Giancarlo Priori: hans Hollein/Dream & Reality; Bruno Adorni: Alesso Tramello/Heir to the Lombard Bramante Tradition; Paolo Portoghesi: Gino Marotta/ between Art and Science.

Nr. 8. 1987. 63 pages of which 2 foldout pages. Illustrated throughout in color and black and white. Stiff wrappers with on front cover a reproduction of Purini’s ‘Barbaric Skyscraper’, 1984.

- First edition. Content: Attilo Bertocluci & Paolo Zermani: The Province of Thins; Peter Eisenmann: Conflicts of the Modern trend; Costantiono Dardi: The Space Plots; Antonino Terranova: Franco Purini and Laura Thermes/ Problematic Intersections; Romano Burelli: Type ad Pollution; Paolo Portoghesi: Apollodoro; Giancarlo Priori: Michael Graves/ The return to the Archetypes; Piergiacomo Bucciarelli: Fritz Höger/The expressionist Verb; Guglielmo Bilancioni: Giuseppe sacconi/The Tomb of the Unkown Soldier; Valerio Magrelli: Carlo Bettochi/ Words and Feelings; Maurizio Marini: Marco Rossati: The Allegories and Enigmas.

Nr. 9/10. 1988. 92 pages of which 2 foldout pages. Illustrated throughout in color and black and white. Stiff wrappers with on front cover a reproduction of Franz Prati’s ‘o seasons, o castles’, 1986.

- First edition. Content: Oswald Mathias Ungers & Mario Pisani: The flight od Reality; Paolo Portoghesi: Roger Ferri/The Roads of Imagiantion; Alessandro Latour & Tom Stetz: James Stewart Polshek/The integrity pf Architecture; Giancarlo Priori: Robert Stern/To rediscover one’s Idols; Stefania Tuzi: Robert venture/Historical Sense; Gérard-Georges Lemaire: Paolo Farina/The Architect’s Dream; Claudio D’Amato: A. Mason. V. Pavan, C. Roncoletta/Architectural reasonings; Sandro Benedetti: The essence of Truth; Paolo Porthogesi: Claudio Dini/The identification in nature; Guglielmo Bilancioni: Joseph Hoffmann: The Sphinx of The Modern Art; Christian Norberg Schulz: The Need for a Contemporary Architectural Language; Mario Messins: The Neoromantic Sound; Sergio Terracina: Silvia Ferretti/The Demon of Memory. euro 350

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  fumetti

046. Strazzulla, Gaetano (a cura).

Enciclopedia dei Fumetti. (a complete run of 40 loose issues). Firenze: Sansoni editore, 1970-1971. Quartos, 340 (the first 20 issues) + 340 ( the second part), illustrated throughout. Illustrated wrappers. A fine set.

- First edition of this encyclopedia of comic strips that presents the history of the international comic strip from the twenties till the seventies. In each issue the presentation of one or more artist, notes on the characters, bio- and bibliography. Includes: Flash Gordon, Barbarella, Dick Tracy, Jan, Long Sam, Bugs Bunny, Peanuts, Crazy Cat, Max und Moritz, Mickey Mouse, Mandrake… euro 200

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  fdl

047. Morrocchi, Giuseppe (ed.)

(FDL) Linguaggi d'Oggi 1. Rivista trimestrale di letteratura (all publsihed ?). Firenze: Edicola1976. Quarto,m 79 pages, many illustrations. Illustrated wrappers.

- First edition. Sommario 1. Editoriale (Gruppo Contatto) Questa rivista (Comitato di redazione); Inediti: Miguel A. Asturias (a cura di F. del Pino) 2. Linguaggi d'Oggi: Letteratura-Sperimentazione - Sulla Letteratura tra-di-Voluzionaria (G. Morrocchi) - Proposta di Lettura di Linguaggi Sperimentali (G. Polì) - La Sperimentazione come Assoluto (L. Cherchi) - Femminismo, Femminile, Moravia (M. Mosco) 3. Reprint - Il Linguaggio e "Il Politecnico" (a cura di G. Luti) 4. Linguaggi d'Oggi: Lingua-Potere - I Dialetti in Italia, oggi (G. Barberi Squarotti) - Lettura di un brano della Bibbia: Giosue' (Comunità dell'lsolotto) - Ipotesi sul potere (M. Ramous) - Il sistema dei Segni (C. Carlucci) 5. Intervista A E. Enriques Agnoletti - Il Linguaggio dei Politici e Il Vietnam (a cura di A. Larzeri-S. Condemi) 6. Poesie 7. Rubriche - Libri - Dischi - Notizie. euro 30

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  flash art

048. Politi, Giancarlo (direttore)

Flash Art 25-26. giugnio - luglio 1971. Diciamo no alla Biennale di venezia. We say No to the Venice Biennale. Non! a la Biennale de Venice. News paper size magazine, 27 pages, illustrated throughout.

- First edition with a special attention (with many illustrations) for the work of Sol Lewitt, On Kawara, Fulton, Arakawa, Enea, De Dominicis, Agnetti, Tremlett, Raynaud, Man Ray, Agam, Croce + a documentation about Fabio Mauri's performance 'Che cose è il Fascismo.

On te front page the following text by Politi:

'WE SAY NO TO THE VENICE BIENNALE The Italian P.S.I, (the Italian Socialist Party) has imposed one of his men, Mario Penelope, as the next director of the Venice Biennale, the visual arts department. More than two years ago (Flash art Sept. 1968) we foresaw such a takeover and all its ins and outs, and pinted to Mr. Penelope as the future leader of the mentioned boat. Whoever made the choice, they have chosen the most incompetent, the most disqualified man for the job. The only experience this man has comes from having been the owner of a commercial gallery bearing his name, a gallery which assembled most of the Italian second rate trashy stuff of the time. From a wretched art gallery to only director of the Venice Biennale it's a long jump, the support of the Socialist Party has been instrumental to such a promotion. The consequence is that the Venice Biennale has sunk. Now, we are waiting for the names of those Penelope is going to appoint as members of the commission. It will be interesting to see who's going to sell himself for such a job. He who accepts, will not have any justification whatsoever, the game is all too clear. Any decent man should say no to such appointment. The only alternative is to refuse such mafia-like structure, which tends to involve everybody, and makes everybody guilty. Those who accept hoping that they will salvage something of the old culture are under a dangerous illusion. To accept power, at this level, is dirty, injustifiable, inqualifiable. Let's isolate them, let them sink alone, without support, let them sink in a sea of thit. To delay their agony is a crime. Giancarlo Politi ?

Despite this protest:

'Mario Penelope was nominated in 1971 as Special Commissioner for Fine Arts, and immediately organised an exhibition entitled Aspects of European Graphics at Ca' Pesaro. Penelope created a much appreciated Biennale in 1972, which was articulated in a series of exhibitions. He also proposed a comprehensive theme for the first time entitled Work and Behaviour . During this Biennale, ten thousand butterflies were liberated from a large wooden chest in Saint Mark's Square. Gino De Dominicis, just twenty-five years old at the time, "exhibited" a boy affected by Down's Syndrome, hanging a sign from his neck reading "Second solution for immortality: the universe is immobile". This caused a major scandal and public protests against this "cynicism" provoked interrogations in Italian parliament.' (from the site of the biennale (http://www.labiennale.org/en/art/history/1970s.html) euro 60

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  flash art

049. Politi, Giancarlo (direttore)

Flash Art 27. ottobre - novembre, 1971. A Parigi la Biennale di Bambini (Idioti). A Paris La Biennale des Enfants (Idiots). The Paris Biennale of (Idiot) Children. News paper size magazine, 24 pages, illustrated throughout.

- First edition with a special attention (with many illustrations) for the work of Alighiero Boetti, Daniel Buren, Paolo Scheggi,Fernando Melani, Arnaldo Pomodoro, Winzer + an article 'notes on art-language' by Catherine Millet. euro 30

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  flug fluxblatt

050. Flug/fluxBLATTzeitung no. 13. Art workers coalition New York (guerilla art action group) manifeste comminiques statements flugblatter und andere materialen. (Albrecht D. ed.). Stuttgart: reflection press, n.d. Quarto, un paginated, 64 pages printed on right hand side. illustrated wrappers. Held together with black plastic spine clip.

- First edition of this completely mimeographed issue of the Flug/fluxBLATTzeitung. With manuscript of the 'guerrilla art action group' signed (in print) jon hendricks, poppy johnson and jean toche. euro 60

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  friends

051. Marcuson, Alan (editor)

Friends. Number 19 November 13, 1970. Newspaper size magazine. 27 pages, illustrated throughout.

- First edition. Summary: Letters (among them a letter by Simon Vinkenoog) ; Power to the ProvincesVorster: Urban Guerilla, Arsonist; How Ronin Hood met the Blaster; Journey inot Space; Letter from America; Ecology Sucks / Economic Abundance(Tom Haroldson); An open letter to Tmothey Leary from Ken Kesey; Records etc. Loosley laid in a folded 'Readers Survey'.

Friends (magazine)From Wikipedia, the free encyclopediaJump to: navigation, search Friends magazine was launched in London in winter 1969 as a direct result of the closure by its US parent of the short-lived UK edition of Rolling Stone. The magazine was first published by Alan Marcuson in December, 1969 as Friends of Rolling Stone. It was later retitled Friends and, from May 1971, Frendz. Friends was intimately connected with UK underground media such as Oz and Time Out, and had many contributors who were part of the London underground or avant-garde scene in the 1960s. These included: Barney Bubbles, Pennie Smith and Charles Radcliffe. The magazine ceased publication in August, 1972. euro 25

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  germania

052. Grenzwart, Herbert, Nils Nummer-Neun, Maggie Rubin, Felix Vogelfrei (alias Scorpio, alias Mendelson)Jürgen Fromm.

Germania Nr. 2.(of 3 published) Frankfurt: Germania Verlag, Oktober 1971. Newspaper format (DIN A3), 23 pages, illustrated throughout with drawings + cartoons Cromb, Reese, Giger, Cartier, Finlay, Cobb, and others. Illustrated self wrappers. Fine.

- First edition of this counter culture periodical, published irregularly. A fourth number of Germania was co-produced with the magazine Päng Nr.8/9. Musik, Literature, Politics, Drugs and Comics. Contributions by Thomas Bayrle, Dr. Hip, Gil Funcius, Rudiger Nuchtern, Ingeborg Schober Curtis and others. euro 60

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  high performance

053. Burnham, Linda Frye (editor)

High Performance. Vol. 1. No 1. The Performance Art Quarterly. Los Angeles: Self published, 1978. Quarto, 48 pages, illustrated throughout. Design Mike Westmore.

- First edition. Summary: News; Spaces - Los Angeles Institute of Contemporary Art; Interviews: Suzanne Lacy by Richard Newton - Norma Jean DeAk by Moira Roth; Artist's Chronicle: Jill Scott - Barbara Smith - James Pomeroy/Paul DeMarinis - Darryl Sapien/Constancia Vokietaitis - Gina Pane - Alison Knowles - Jurgen Klauke - Paul McCarthy - Nancy Buchanan - Brian Dailey - Tony DeLap - Bradley Smith - Bob Wilhite - Richard Newton - BDR Ensemble - Richard Turner/D. Gatlin: Hot Shortsby C.C. Hill. Photographs by Susan Moglu, Raul Vega, Robert Blalack, Susan Lacy, Bruce Williams, Paul McCarthy, C.C. Hill, Jack Shear, Tom Keller, Dick Higgins, and others. Loosely laid in 2 mimiographed pages, one being an order form, the other printing the follwoing text: "KEEP THIS MAGAZINE—IT'S ART HISTORY HIGH PERFORMANCE is the first magazine devoted exclusively to art performance—the art form fast becoming the most talked-about among contemporary artists, critics, historians and students. Art performance is art created live, on the spot, not only in galleries, studios and museums, but in such unlikely places as laundromats, bank buildings, malls, on city streets and in the wilderness. Performance is a most vivid and direct art form, finding its place in art his¬tory along with painting, sculpture and drawing. HIGH PERFORMANCE steps into the present void of information, listing and documenting some of the hundreds of performances produced around the world each year, making use of the fascinating ideas and photographs left behind to mark those events. HIGH PERFORMANCE is a news magazine, timely and totally unique. It is a magazine contemporary art patrons are looking for." euro 100

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  idiot

054.

Idiot International. No 8. London: Idiot International Publications, August 1970. Monthly 2/6. Tabloid size magazine, un paginated, 22 pages, illustrated throughout.

- First edition. Summary: The Docks: notes for an obituary; Gypsies are alive and unwell in the UK; No.4 Repression in Amerikkka by Gerassi; 1905 - 1970 Jim McGuffin on Northern Ireland; Czechoslovakia Two years After....; Kids + School = Work; Rolling Idiot The BLues by Gus Brain, Roger Murray, Jim Hensman + article review: Zabriskie Point. euro 20

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impulse

055. Garnet, Eldon (editor + publisher)

Impulse. Toronto: Erindale College, University of Toronto and ss off Volume 1 Number 3, published with the assistance of The Canada Council and The Ontario Council For The Arts. We offer for sale here 11nrs. in 9 issues (of a total of 31 issues published - and of 22 issues published since Eldon Garnet became the editor/publisher of Impulse) + one artistsbook.

Founded in 1971, Impulse was intially published by the Erindale College, University of Toronto, as a publication for Canadian Contemporary Writers. Peter Such being the editor. As of Volume 3 Number 3 + 4, 1974, Eldon Garnet became the editor, who transformed Impulse into a wonderfully designed and internationally renowned art magazine.

Volume 6 Number 4 + Volume 7 Number 1, 1978. 70 pages. Associate Editors: M. A. Hanet and Anne Milne. Business Manager: Trudi Brintnell. Design: M. A. Hanet and Eldon Garnet. Table of Contents: Bill Gaglione and Anna Banana, 'Alternation of Character/Alerazione Di Charattere'; Bruce Andrews, 'Love Song No. 29'; Michael Snow, 'Larry Dubin's music'; Dan Ulaky; Mary Lou Dickinson 'Which One Are You?'; Savas Patsalidis, 'What A Guy!'; 'This Car Up'; Lola Michael, 'Interview: The Viletones'; Duane Michals, 'A Portrait'; Isaac Applebaum, 'Electra At The Sylvère Dollar'; Anne Milne, '20 Questions'; Pedro Vasquez, 'God Shave The Queen'; Michael Gibbs, 'So Bigger'; 'Aliementation Impulsion'; Patti Smith; Davi Det Hompson; Buster Cleveland, 'Fill Out & Send'.

Volume 7 Number 2 + 3, Spring 1979. 60 pages. Associate Editor: M. A. Hanet & Anne Milne & Trudi Brintnell. Advertising: Anne Pepper. Table of Contents: Victor Coleman, 'Doppleganger (Sonnets)'; Dennis Oppenheim, 'I Shot The Sheriff(Art)'; Isaac Applebaum 'Naked Lunch (photo/poem)'; Martha Hawley, 'Deah Maw (poem)'; George Manupelli 'Almost Crying (a film)'; Dawn Eagle, 'Vixen K (narrative)'; Gary Greenwood, 'The Distance Between (photography)'; David Young 'Spotting: A Case Story (fiction)'; Karl Jirgens 'Underwater Hockey: The Championships'; 'The Basic Home Communicator: A Proposal'; James Wines, 'Site, An Architectural Group: Three Projects'; 'Hockey & Television: An Examination', David Hlynsky, 'Lasers: Random Notes In New Developments'; Correspondence; Eldon Garnet, 'Personal Hygiene: Dental Floss vs. Periodontal Disease'; M. A. Hanet 'Alimentation Impulsion: TV Meals, Four Hot New Dishes'; Lola Michael 'Interview: Blondie, A Toronto Conversation'; 'Off The Wire: A Computer Thief'.

Volume 7 Number 4, Summer 1979. 60 pages. Associate Editor: M. A. Hanet, Anne Milne and Trudi Brintnell. Advertising: Anne Pepper. Table of Contents: Rodney Werden, 'Baby Dolls'; Judith Doyle, 'Robotics- A Case Study'; Kim Todd, 'Atomic Statement'; Martin Avery, 'Just A Picosecond (story)'; William Wheeler, 'Discourse: A Coin'; John Brown, 'What Kind Of Gun Are These You Got'; Interview with Sylvère Lotringer; Joe Vykydal, 'An Introduction To Monster Hunting'; Willoughby Sharp, 'Toward the Teleculture'; Chris Burden, 'The Curse Of Big Job'; Interconnect; Eldon Garnet, 'Personal Hygiene: A Perceptual Motor Skill'; Michael Duddy, 'Architecture: The Plaza'; Of The Wire: Einstein; Lola Michael, 'Interview: The Only Ones'; Mary Ann Hanet and Anne Milne, 'Alimentation Impulsion: Bigos'.

Added: (loosely laid in) an artistbook by Eldon Garnet. 'Spiraling/JFM 232'. Toronto:1W1 Communications,1979. small qaurto, 28 pages of which 4 fold out pages, numerous photographic illustrations. Illustrated self wrappers.

- First edition. One of 1000 copies. 'ON THE DRIVE BETWEEN TORONTO, ONTARIO & EDMONTON, ALBERTA (CANADA) ONE PHOTOGRAPH WAS TAKEN AT THE POINT OF DEPARTURE, ONE PHOTOGRAPH AT THE POINT OF EVERY SUBSEQUENT 100 UNITS OF DISTANCE (MEASURED BY THE CAR'S ODOMETER), & ONE FINAL PHOTOGRAPH AT THE POINT OF ARRIVAL THE DISTANCE BETWEEN IMAGES 22 & 23 IS ONLY HALF OF THE STANDARD 100 UNITS. SPIRALING IS DIVIDED INTO 4 COUNTER-CLOCKWISE TURNS OF THE CAR'S WINDOWS. SIX IMAGES REPRESENTING ONE ROTATION OF THE WINDOWS: FRONT (F); LEFT FRONT (LF); LEFT REAR (LR); REAR (R); RIGHT REAR (RR); & RIGHT FRONT (RF) - AS INDICATED IN THE UPPER LEFT CORNER OF THE MAP. EACH MAP REPRESENTS APPROXIMATELY 100 UNITS OF DISTANCE. THE LOCATION WHERE THE PHOTOGRAPH WAS TAKEN IS DESIGNATED BY THE PLACEMENT OF THE NUMBER ON THE MAP.'

Volume 8 Number 2, Spring 1980. 54 pages. Editors: Eldon Garnet and Shelagh Alexander. Contributing Editors: Anne Milne and Willoughby Sharp (New York). Design: Shelagh Alexander and Eldon Garnet. Table of Contents: Andrew James Paterson, 'Flat Tire'; Leila Angelic Interview, 'Capturing Toronto',; Norman White, 'The Tinkerer's Robot'; Scott Gladden; Peter Noble, 'Iggy Pop: History Starts Here'; Adam Swica; Michael Kieran, 'Buckminster Fuller'; Mac Adams, 'Mysteries'; Judith Doyle, 'Conversational Machines'; Tom Dean, 'The Floating Staircase'; Eldon Garnet, 'Bob Colacello Interview(ed)'; Two New Projects by Site; Barbara de Genevieve; A.S.A. Harrison, 'Nellie's Mistake'; Krzysztof Wodiczko, 'Vehicles'; Anne Milne, 'Grapple'; John Brown, 'Rich People'; Annie Nikolajevich and George Whiteside, 'Future Image Language'; Ralph Alfonso, 'More Politics of New Wave'; John Greyson, 'Eavesdrop'.

Volume 8 Number 3, Summer 1980. 49 pages. Editors: Eldon Garnet and Shelagh Alexander. Contributing Editors: Judith Dolye and Anne Milne; New York: Lisa Baumgardner and Willoughby Sharp. Design: Shelagh Alexander and Eldon Garnet. Advertising: Tony Hardingham. Table of Contents: Randy & Berenicci, 'The Singapore Postcards'; Donna Lypchuk, 'Baby Snooky Come Back'; David Hlynsky & Michael Sowdon, '3-D Perspectives'; Steven Davey, 'America'; Willoughby Sharp, 'Zero Time Data Hideout: Alain Robbe-Grillet Interviewed'; David Buchan & George Whiteside, R. Dick Trace-It, 'Seven Days A Week'; Peter Noble, 'John Lydon Gets His Palm Read', 'Now Tell Us Ondine' Impulse interview; Philip Monk, 'Exits'; Constance De Jong, 'Oh, Those Desert Nights!'; Robin Collyer, 'Untitled Magazine Pages 37-40'; Judith Doyle, 'Envy'; Peter Noble, 'Wobble'; Carl Loeffler, 'Notes On The Future Of Television'; Michael Kieran, 'Humanova: Evolving In Space'.

Volume 8 Number 4, Fall/Winter 1980. 50 pages. Editors: Eldon Garnet and Shelagh Alexander. Business Manager: Sydney Dinsmore. Contributing Editors: Judith Doyle; New York: Lisa Baumgardner-Bachner and Willoughby Sharp. Design: Shelagh Alexander and Eldon Garnet. Design Assistance: Michael Wurstlin. Advertising: Tony Hardingham. Typography: Alphabets. Table of Contents: Peter Noble, 'Martha and The Muffins'; Cece Cole and Patrick Mata, 'Nina Hagen', Lisa Baumgardner-Bachner, 'Lech Kowalski'; 'Harry Smith'; Carole Corbeil, 'Censorship: Magazine Repression'; Eldon Garnet, 'Escapism'; Philip Monk, 'Violence and Representation'; Randy & Berenicci, 'Metaphor For the 80's: the Cockfight'; Kenneth Decker, 'Tony Chestnut Talking'; David Hlynsky, 'The Day Time Stopped Standing Still'; Tom Sherman, 'How to Watch Television'; Paul Rutkovsky, 'Commodity Characters'; Michael Wurstlin, 'Growing up in a Safe, Healthful Community'; Willoughby Sharp, 'Hazel Henderson'; Shelagh Alexander & Andrew James Paterson, 'The Flying Objects'; Impulse Questionnaire compiled by Judy Keeler.

Volume 9 Number 1, Spring 1981. 57 pages. Editors: Eldon Garnet, Shelagh Alexander and Judith Doyle. Contributing Editors: New York: Lisa Baumgarder. Design: Shelagh Alexander. Design Assistance: Ken Baird. Advertising: Tony Hardingham. Distribution: Karl Jirgens. Typography: Alphabets. Table of Contents: Andrew James Paterson, 'Industrial Overload'; Anne Milne, 'Considering Christian Television'; Dawn Eagle, 'Theory Of Appearance'; Chris Dewdney, 'Case A-7'; Matt Cohen, 'In Search of Inspiration'; Donna Lypchuk, 'Rebel Without A Car'; Judith Doyle, 'Fading'; Steven Davey, 'Fads Fade Orchestral Manoeuvres'; Krzysztof Wodiczko, 'Proposed Projection'; Tom Dean, 'Ramps'; Vincent Tangredi, 'The Campanile'; Brian Boigon, 'A Mirror In The Window'; Lorne Fromer, 'Russ Myer'; Kaz, 'Untitled'; Barbara Astman, 'Untitled'; David Buchan, 'Out Of This World!'; Denis Bouchard, 'Hair Wear'; Maurizio Nannucci, 'All That Happens Goes'; Dennis Oppenheim, 'Thought Projectile Factories'; Gerard Malanga, 'Shark Bait'.

Volume 10 Number 1, Summer 1982. 54 pages. Editors: Eldon Garnet, James Dunn and Judith Doyle. Contributing Editor: Lisa Baumgardner (New York). Editorial Assistants: Joan (Adair) Brouwer, Ken Baird and Robbyn Grant. Art Direction: Ken Baird. Office: Joan (Adair) Brouwer. Advertising: Robbyn Grant. Typography: Alphabets. Mascot Designate: Severin. Table of Contents: Stanley McDowell, 'Nuclear Strategy/Political Will'; Elspeth Sage and Joan (Adair) Brouwer, 'The Model Worker'; Brother Martin Shea/Judith Doyle, 'Appropriation of Suffering'; Paul Virilio/Sylvère Lotringer, 'The Suicidal State'; John Bentley Mays, 'The Victims' Ball'; Andrew Czeszak, 'TBDF: Transborder Data Flow'; Todd Grimson, 'Amnesia'; Lisa Bloomfield, 'False Sites and Complexes'; Robert Cumming, 'Drawings'; Eldon Garnet, 'Privacy'; Ken Baird and Joan (Adair) Brouwer, 'D. A. F.'; James Dunn, 'The Death of Canadian Cinema'; Anne Milne, 'Insomniac: An Interview with Jeff Silverman'.

Volume 10 Number 4, Fall 1983. 57 pages. Editors: Eldon Garnet and Carolyn White. Associate Editors: Judith Doyle and Gerald Owen. Contributing Editors: Sylvère Lotringer (New York) and Joan (Adair) Brouwer (London). Art Direction: Carolyn White. Contributing Designer: Ken Baird. Production Technician: Robert Labossiere. Editorial Assistant and Business: James Gronau. Computer Keyboard Operator: Wendy White. Mascot: Money (Bunny Freed). Table of Contents: Edward Slopek, 'TV Scanners Entraining: Going Berserk On The Crest Of The Third Wave'; Andy Payne, 'Father, Discourse and Identity: Notes Towards A Reading Of Hamlet'; Gerald Owen, 'The Neo-Conservatives'; Andrew James Paterson, 'Love Songs'; Ara Rose Parker, 'The Status Of Women'; Sylvère Lotringer Interviews Fadi Mitri, 'Framing Death'; Maurice Blanchot, 'The Right Time'; Donna Wyszomierski, 'More Time On His Hands; 'Ecological Disease'; Carolyn White, 'Targeted Training'; Hans Haacke, 'Voici Alcan'; Paul Collins, 'Implied Writing'; Brian Boigon, 'I Got The Frights'. euro 450

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  interfunktionen

056. Buchloh, B.H.D. (editor and publisher)

INTERFUNKTIONEN Zeitschrift fuer neue Arbeiten und Vorstellungen / Paper for New Visual and Verbal Works / Revue des Travaux Théoriques et Pratiques. No. 11 (of 12 published). Cologne,1974. Quarto, 140 + 28 un- paginated pages, illustrated throughout. Original wrappers by Daniel Buren + original printed crystal paper wrappers. Crystal paper wrappers attached to spine with some minor foxing, ohterwise a very fine copy with the crystal wrappers intact.

- First edition. Inhalt/Contents/Sommaire: Cover: Avis/Ansicht/View — Marcel Broodthaers; Jörg Immendorff. Kritik entfalten!; A.R. Penck. Der Adler; Roman Jakobson. Über die verbale Kunst des William Blake undanderer Dichter-Maler; Lawrence Weiner. With an advance declined; Marcel Broodthaers. La Seance. Film de M.B.; Michel Claura. Vorwort zu 'Book as Artwork'; Germano Celant. Das Buch als Kunstform 1960 - 1970. Book as Artwork - Bibliographie 1960 - 1974; Dan Graham. The Book as Object; Daniel Buren. Encre sur Papiers (a work printed on different stock. Buren's stripes introduce each individual contribution and then reappear as a group in the back of this issue) ; Bruce Nauman. Instructions for a mental exercise; Italo Scanga. San Francesco di Paola; Bill Beckley. Sea Sick.

Marcel Broodthaers' text on first page (in German, French and Englisch) : 'VIEW according to which an artistic theory will be functioning for the artistic product in the same way as the artistic product itselfis functioning as advertising for the rule under which it is produced There will be no other space than this view, according to which etc. ... For copy conform'

Here with the first edition of "Ink on Papers" that was refused by both Buchloh and Buren because of the bad printing job. Both the editor and Buren printed on the rear chrystal paper wrapper the following text: 'The editor of this magazine and myself think it necessary to notify the reader that technical faults which had occured during the realisation of "Ink on Papers" have changed the intended sense of the work (see p. 120). As the work by itself is materially bound to the other contributions, which would be affected by simply taking out the work "Ink on Papers" as well as by withholding the whole issue (these are two solutions which have been considered by the editor himself) I have prefered to leave this issue as it is, however not without adding the present supplement and with the intention to realise the project again in the next issue, profiting from the mistakes of this one.'

Buren's "Ink on Papers" was indeed republished in the next and last issue of Interfunktionen. euro 350

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  l'ivres de

057. Jungmann Jean Paul (ed.)

L’ivre de Pierres. Paris: Aérolande, 1978 – 1983. Three of the four issues published. All three issues large folios in near mint condition.

Nr. 2. 1978. J.-P. Jungmann avec la collaboration de J. Aubert, A. Stinco and Tonka. 94 pages, illustrated throughout. Printed wrappers.

- First edition. Content: Tonka: Une Seule voix; Jean Aubert: Le Square des Egoutiers; Jean-Max Albert – Dominique Richir: Acronisia mutikos; Monique Mosser: L’apparaître de la ville. Cahier 1/Daniel-Ange Rabreau: L’apparaître del a ville. Cahier 2. ; Jean-Paul Jungmann: Récit autour d’une ruine future…; Francis Martinuzzi: Le désert de Retz…; Isabelle Auricoste + Michel Vernes : Le Jardin à la ville.

Nr. 3. 1978. 109 pages, illustrated throughout. Illustrated wrappers.

- First edition. Content: Tonka: Déraisons de l’architecture; Jean Aubert: Fond de grisaille sur fondu enchaine; Jean Paul Jungmann: Ecrire un projet; Tonka: La Malédiction des Halles: une Cœur prétendu… ; Aurelio Cortesi : invention et dessin pour le quartier des Halles…. ; Tamas Zanko : Opéra des Halles, projet scénographique… ; Jean Criton : Phénomène de parthénogenèse architecturale au Forum des Halles ; Gérard Diaz : série de caprices en hommage a J.B. Piranèse ; Jean-Paul Jungmann : La gare vers l’est.

Nr. 4. 1983. 102 pages. illustrated throughout. Printed wrappers.

- First edition. Content: Alain Vulbeau : Le Rouge et le vert – mais que font-ils donc à la Villette ?; Jean Paul Jungmann : La place de la Concorde – les nouveaux tracés d’une place fondatrice ; Monique Mosser, Stèles a la mémoire de paysages perdus – les obélisques d’Ivan Theimer ; Peter Wilson : Projet pour un pont dans la ville de Paris – le Pont des Arts ; Alain Loiselet : Suit d’images pour l’usage d’un monarque assassiné – la chapelle expiatoire du square Louis XVI a Paris ; Jean charbonnier et dominiqe Bugnon : Le Theatre de l’Arsenal a la Bastille ; Patrick Bracco + Elisabeth Lebovici : Description des fêtes données par la ville de paris a l’occasion du mariage de madame Luise-Elisabeth de France….. . euro 150

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  kritik

058. Hacker, Dieter (redaktion)

Kritik des Konstruktivismus. (1.) Zeitung der 7. Produzentengalerie. Berlin: (1972). (...erscheint wenn es etwas interessantes zu sagen und zu zeigen gibt....) Large folio, 20 pages, numerous illustrations. Illustrated self wrappers.

- First edition. With original pasted in artwork (jeder könnte kuntler sein…..) and articles entitled: Was soll’s, Rationalismus, Puritanismus, Manierismus, Dialektischer Konstruktivismus and more…. euro 60

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  kunststoff

059. Bonvie, Rudolf - Jürgen Klauke.

Kunststoff Nr. 5. Köln: Rudolph Bonvie, 1977. Octavo, un paginated. Illustrated throughout. Illustrated wrappers.

- First edition. Contains the photography series: Idylle; Mutter – Sohn; Personen – 25 Narzissen; Anti- Isolations-Maschine.

Kunststoff Nr. 6. December 1977. Köln: Eigenverlag Rudolf Bonvie/Juergen Klauke, 1977. Octavo, unpaginated, illustrated thoughout, illustrated wrappers.

- First edition. Contributions by: Thomas Hesterberg: Postkarten; Klauke: Sequenz “So stell ich mir die Liebe vor”; G.J. Lischka: freeways; Peter Pick: Selbstschuß Abfahrt Überführung Buschtrommel; Rudolf Bonvie: 10 Personen fotografieren eine Person; Jerry Dreva. euro 60

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  lacerba

060.

Lacerba. Anno lI, N. 2. Firenze, 15 gennaio 1914. Folio size periodical, pages 18-32, one full page woodcut.

- First edition. Contributions by: Palazzeschi - Il Controdolore manifeso futurista, Gorpe – Cammina Cammina…, Papini – Il Passato non esiste, Soffici – Disegno, being a full page woodcut (xilograph) simultaneità di donna carretto strada, Papini – Quatro begli occhi, Marinetti – Abasso il Tango e Parsifal, Soffici – Bicchier d’Acqua, Vivani – Stati d’Animo d’un Suicida and Sedia Elettrica numero 2 ( Sem Benelli) – Caffé.

Lacerba. Anno lI, N. 4. Firenze, 15 febbraio 1914. Folio size periodical, pages 50-64 pages, half page woodcut + numerous typographic poems. Some foxing to front wrapper and fold marks, some yellowing towards the edges but still a good copy of this fragile periodical.

- First edition. Contributions by: Papini – Il cerchio si chiude, Altomare – Temporale, Marinetti – Dune (parole in liberta) with a full page diagram entitled Deggagono della senisbilita motric, Carrà - Costruzione spaziale. Simultaneita di ritmi. Deformazione Dinamica, Soffici – Passeggiata, Renoir – Il villaggio a reproduction of renoir’s painting, Benuzzi – ‘Five o’clock’ – Binazzi – Sigarette, Carrà – Disegno, being a half page woodcut (xylograph) representing the portrait of a woman, Janelli Guiglielmo – Messina, Sedia Elettrica numero 3 (Luciano Zuccoli) – Sbarbaro – La seconda vita de Teodor B. – Caffe.

Lacerba. Anno lI, N. 8. Firenze, 15 aprile 1914. Folio size periodical, pages 114-128 pages, a full page = one half page woodcut , two drawings + several typographic poems. Front and rear of self wrapper loose, one inch tear to right side of front wrapper and some yellowing towards edges.

- First edition. Contributions by: Papini – Anch’io son borghese, Carrà- Soffici – Semplicisimi, Apollinaire – Banalités, Benuzzi – Espanzione, Jacob – Poèmes, Piero Jocelli – Convegno dei tre C., Severini – Disegno, being a full page woodcut (xilograph) entitled Mare=ballerina, Sedia Elettrica numero 4 (Francesco Paolo Michetti) – Gerebzova – Disegno, being a half page woodcut, d’Alba – I letti, Janelli, Manovra di note moderna (parole in libertà), Caffe, with two text drawings, one by Carrà and one by Soffici. This issue with the first appearance of a series of poems by Apollinaire entitled Banalités, poems that became probably even more famous after Francois Poulenc had put them them into music in 1940. ea. euro 150

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  la free press

061. Garrison, Jim - Kunkin, Art.

Los Angeles Free Press Vol. 4, #19 (Issue #147) May 12 / 18, 1967. Tabloid, 24 pages, numerous illustrations. Yellowed. but very good.

- First edition. Summary: Macbird in Europe; NRA seeks Vigilante Law; Shucking the Love Generation. Furthermore an article on Abortion Act by Millard H. Perstein< an article on the American Sculpture exhibition in the LA County Museum a full page announcement for a concert of the Nomads / Zoo in the Zap Palace; a full page announcement of a Byrds & Doors concert taking place on may 16 1967 at the Whysky A Go Go + a full page advertisement for Timothy Leary-s 'Turn on, tune in, drop out' {Art by Ron Cobb) in the the Cinema Theatre; a half page advertisement for a concert of the Doors in the Cheetah in Santa Monica.... euro 120

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  macula

062. Bois, Yves-Alain Guy Brett, Jean Clay and Raymonde Hebraud Carasco. (editors)

Macula. Revue trimestrielle. Nrs. 1- 6 in 4 volumes. (all published).All quartos. Maquette Jean-Louis Germain.

Nr. 1. 2eme trimestre 1976.128 pages, numerous illustrations in black and white. Front cover: Thomas Bewick, vignette extraite de British Birds edition 1797.

- First edition. One of 1000 copies. This first issue includes: Piet Mondrian: Le jazz et le néo-plasticisme; Max Bill: La Composition 1/1925 de Mondrian; Wladyslaw Strzeminski: L'Unisme en peinture; Jean-Claude Lebensztejn: Sur Alexander Cozens; Yve-Alain Bois: Malevitch, le carré, le degré zéro; Guy Brett: Champ, agriculture, décoration. Raymonde Hébraud-Carasco: Dialectique Einsenstein; Henri Matisse: Autres Propos.

Nr. 2. 1er trimestre 1977. 156 pages, numerous illustrations in black and white.

With: Clément Greenberg: Les textes sur Pollock - Peinture à l'américaine; Jurgis Baltrusaitis: Un musée des miroirs; Hubert Damisch: Huit thèses pour (ou contre) une sémiologie de l'image; Jean-Louis Schefer: Sur l'objet de la figuration; Mondrian, Vantongerloo, Torrès-Garcia, Bill, etc.. : Lettres à Jean Gorin; Erwin Panofsky / Barnett Newman: Correspondance. Dossier Albers. (texts by Elaine de Kooning, Christian V. Bonnefoie, Josef Albers and Richard P. Lohse)

Nr. 3/4. 3eme trimestre 1977. 218 pages, numerous illustrations. Green illustrated wrappers.

- First edition. In this issue: PEINTURE ET PHILOSOPHIE I. Meyer Schapiro, Jacques Derrida: Heidegger et les souliers de Van Gogh; Walter Benjamin: Eduard Fuchs, collectionneur et historien; Jean Louis Schefer: L'entretien suspendu; Lawrence Gowing: Le système de la couleur chez Cézanne; Kasimir Malevitch: Lénine. Dossier Ryman. (texts by Naomi Spector, Robert Ryman, Barbara Reise, Stephen Rosenthal, Christian Bonnefoi and Jean Clay - photographs Hans Namuth)

Nr. 5/6. 4 trimestre 1979. 275 pages. illustrated throughout. Brown illustrated wrappers.

In this issue: PERSPECTIVA / PROSPETTIVA I. Hubert Damisch: L' "origine" de la perspective; Y.-A. Bois, C. Bonnefoi, J. Clay, J.-L. Vilmouth: Quelques aspects de l'art récent; PEINTURE ET PHILOSOPHIE II. Jacques Bouveresse: Wittgenstein et la théorie de l'image; Rosalind Krauss: Notes sur l'index; Joseph Rykwert: Gottfried Semper et la question du style; JeanJacques Marty-L'herme: Les cas de Jean-Jacques Lequeu. LE JOURNAL DE PONTORMO édité et commenté par Jean-Claude Lebensztejn.

- All first editions. Some light discoloration towards edges, otherwise a near fine set. euro 400 

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  beuys

063. Baier, Alexander Hans (ed.)

Magazin KUNST. Das aktuelle Kunstmagazin. Jahrgang 13 Nr. 50. Mainz: Alexander Baier Presse, 1973. Quarto, 132 pages. Illustrated wrappers.

- First edition. With Heiner Stachelhaus.'Phänomen Beuys'. euro 40

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  magazin kunst

064. Baier, Alexander Hans (ed.)

Magazin KUNST. / KUNST magazin. Das deutschsprachige Kunstmagazin. Jahrgang 14 – 20 (7 volumes in a run of 40 consecutive numbers in 28 issues - of which nrs 53/54 – nrs 75/76 are double issues). 1976-1980. All quarto’s, with in between 78 and 146 pages. All issues illustrated throughout + illustrated wrappers.

Vol. 14. Nr 1. (53/54) 142 pages. Includes: Georg F. Schwarzbauer. Der Mensch als Demonstrationsobject. Körperanalyse. Selbstdarstellung; Nr. 2. (55/56). 160 pages. Includes: Margarethe Jochimsen: Story-Art. Text-Foto-Synthesen. Nr. 3. (57/58). 148 pages. Includes: Georg F. Schwarzbauer. Kunstlerstempel. Mitteilung als Formel. : Nr. 4. (59/60) 128 pages. Video. Ein neues medium in der bildenden Kunst.

Vol. 15. (61/62). Nr 1. 146 pages. Timm Ulrichs: Stempel, zur Kunst gestempelt. + “Graphikbeilage’ with 9 original offset lithographs by Fritz Schwegler.; Nr. 2. (63/64). 166 pages. Mailand. eine europäische Kunstmetropole. + monographies on Marcel Broodthaers + Jorge Castillo.; Nr. 3. (65/66) Die Graphik-Biennalen 1971-1974. + “Graphikbeilage” with 17 original offset lithographs by Walter Stöhrer. Nr. 4. (67/68). 128 pages. Frauenkunst. Frauenspezifisches in der Kunst am beispiel von sechs Künstlerinnen. (Dorothea Tanning, Louise Bourgeois, Magdalena Abramowicz, Käthe Kolwitz and Dorothea Lange.

Vol. 16. Nr 1. (69/70). 148 pages. Harald Szeemann: Die Jungesellenmaschinen. “Graphikbeilage” with 18 page original offset lithographs by Christian Ludwig Attersee. Nr. 2. (71/72). 115 pages. “Graphikbeilage” with 18 page off set lithographs ‘Jungwirth und Frankfurt und alles’. Nr. 3. (73/74). 146 pages. Kunst in Berlin. “Graphikbeilage” with offset lithographs by Jörg Remé. Nr. 4. (75/76). 150 pages. Georg F. Schwarzbauer. Kunst – Fotographie. Fotografie – Kunst. Wechselbeziehungen zwischen Kunst und Fotografie.

Vol. 17. Nr. 1. (77) “Ein Neues Museum gefühl – Das Centre National d’art et de Culture Georges Pompidou”. Nr. 2. (78). 148 pages. Feministische Kunst / Tendenzen der Zwanziger Jahren. Nr. 3. (79) 106 pages. Documenta 6.; Nr. 3. (80). 120 pages. Politikum der Sammler Ludwig. Birgit Hein. Expanded Cinema.

Vol. 18. Nr. 1. (81). 104 pages. Paolozzi/de Chirico/ CAYC. Nr. 2. (82). 86 pages. Das fotografische Bild./ Hajek/ Charles Simonds. Nr. 3. (83). Bilder und Worte. Anne und Patirck Poirier. Nr. 4. (84) 78 pages. Beuys.” Kunst und Staat”/ Pistoletto/ Ruhrberg.

Vol. 19. Nr.1. (85). 106 pages. Zwischen Anpassung und Widerstand. Monograph James Lee Byars. Nr. 2. (86). 88 pages. Kunst und macht. Monographie Dennis Oppenheim. Article on Endré Tot. Nr. 3. (87). 86 pages. Dieter Sauberzeig. Die Stellung des Künstlers in der Gesellschaft. Nr. 4. (88). 104 pages. Dieter Honisch. Die soziale Dimension der Form. Kunst verändert eine Stadt (Stuttgart).

Vol. 20. Nr. 1. (89). 96 pages. Monographie Dorothea Tanning. Nr. 2. (90). 100 pages. Hans albert Peters. Fluxus und der ‘Erweiterte Kunstbegriff’. Nr. 3. ( 91). 110 pages. Monographie Bernard Schulze. Nr. 4. (92). 92 pages. Manifest Michael Ligner.

- all first editions. euro 500

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  ica

065. Michael Kustow (editor)

The Magazine of the Institute of Contemporary Arts. No.1. London: ICA, April1968. Quarto, 36 pages, illustrated throughout. Illustrated wrappers.

- First edition. Contents: Herostratus. Don Levy's experimental feature film; The Obsessive Image exhibition briefing; preview of writers' read-in; Where I'm At/Where It's At; Tilson, Cook, Price, Scott; New Music, New Ears by Michael Chanan. "see not with, but through the eye/hear with, but through the ear"; Theatre Life: Julian Beck Credo. euro 30

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manipulator 9

manipulator 10

manipulator 28

066. Wilhelm Moser, David Colby (editors)

The manipulator issue nr. 9. Film, Fashion, Music and Design, with a strong interest in Art.. Düsseldorf: The Manipulator, 1987. Oversized newspaper type magazine (70 x 50 cm), 52 pages. Front page with ‘Cocaine Head’ by Rainer Fetting.

- First edition of issue nr. 9. Contributions by David Colbey - Clock Project; Anthony Fawcett – One day at the time; John Du Plessis – A high land fling; Joan Agagarian – Joan Quimms’ towns L.A.

The manipulator issue nr. 10. Film, Fashion, Music and Design, with a strong interest in Art. Düsseldorf: The Manipulator, 1987. Oversized newspaper type magazine (70 x 50 cm), 52 pages. Front cover photograph by Wilhelm Moser.

- First edition. Contributions by Bruce Weber – Broken Noses; an article on Hans Richter’s magazine “G” by Hubert Lachmayer and Andreas Puff-Trojan; an article by Herbert Bolz on Berlin – Lob der Mauer; furthermore photographs by John du Plessis and Spencer Rowel.

The manipulator issue nr. 28, Film, Fashion, Music and Design, with a strong interest in Art. Düsseldorf: The Manipulator,1993. Oversized newspaper type magazine (70 x 50 cm), 40 pages. Front cover photograph Franco Moschino by Stefano Pandini.

- First edition. Photographs by Henry Leutwyler – The Trite Slack Press; furthermore photographs by Stephano Pandini, Wilhelm moser and others. euro 30 e.a.

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  manuskripte

067. Kolleritsch, Alfred - Günter Waldorf (editors)

Manuskripte. Zeitschrift für Literatur, Kunst, Kritik.  Nrs. 26 – 33; 41; 42; 44; 46 - 55; 57 -71; 73. A convolut of 37 numbers in 33 volumes. Graz: Forum Stadtpark: 1969 – 1981. Quartos; issues between 38 – 240 pages for the double issues; with many color illustrations and illustrated wrappers. Several front cover illustrations with portraits by Günter Waldorf. A near fine set.

- First editions. Contributions by Ernst Jandl, Friedrike Mayröcker, Claus Bremer, Peter Handke, Raoul Hausmann, Gerhard Rühm, Peter Weibel, Gerhard Roth, Gunter Falk. Bernhard Hüttenegger, Peter Rosei, Klaus Peter Dencker, Oskar Pastior, Herbert Achternbusch, Peter Schalmei, Karl Riha… euro 350

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  mec

068. Bertini, Gianni.

MEC. n. 2, aprile 1971. (from 2 published). Milano: Self published, 1971. Small sqaure quarto, 18 pages printed in red and green. Illustrated wrappers. Light foxing towards the edges. Inside fine.

- First edition. Contributions by Gianni Bertini, J.F. Bory, Henry Chopin, Francois Dufrene, Gappmayr, Jochen Gerz, P.A. Gette, Kitasomo Katuè, Ugo Locatelli, E. Miccini, Eugenio Miccini, Clemente Padin, Fernando Millan, Claudio Parmiggiani, Salvatore Passarella, Michele Perfetti, Gerald Rocher, Shimizu Toshihiko, Maurizio Spatola, T. Stefanoni, Takahashi Shohachiro, Jiri Valoch + several advertisments of other vial poetry magazines. euro 80

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  mexico arte

069.

Mexico en el Arte. 1, 3 and 4. Mexico: Instituto Nacional de Belles Artes, july, september and october 1948. Quartos 11 3/4" x 8 3/4"; with many colored illustrations and tipped in plates; wrappers by Orozco, Tamayo and Anguiano; all three issues bottom of spine damaged.

- First edition; with an introduction by Carlos Chavez; articles by Alfonso Reyes, Gabriel fernandez Ledesma, Carlos Pellicern (Sueno dominical en la Alameda Central de la Ciudad de Mexico), Salvador Novo, Jose Vasconcelos, Julio Prieto, Paul Westheim, Luis Cardoza y Aragon , Alfaro Siqueiros. euro 250

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  mobilia

070. Mette Bratvold, Grete Jalk, Jorgen Kastøhlm (editors)

Mobilia. no. 180. Internaional monthly magazine for interior design, issued in Danish, English, German and French. Snekkersten: mobilia production, 1970. Calendar shape quarto, un apginated, (approx 140 pages) illustrated throughout, with torn pages, fold out pages, etc. Printed wrappers. Tiny tear in bottom rear wrapper, otherwise fine.

- First edtition of this very special issue of Mobilia. Articles by Gunnar Aagaard Andersen, Steffen Jørgensen, Arnoldi and Tørben Schmidt. The colophon reads: 'This issue of mobilia has been published with the support of the Jubilee Fund of the Danish National Bank. Edited by Per Arnoldi, Gunnar Aagaard Andersen and Torben Schmidt. Gunnar Aagaard Andersen arranged the graphic layout. Torn pages, ink smears, colour printing and the piece of wool are original documentation made by Aagaard Andersen, Arnoldi and Carsten Hoff/Susanne Ussing. Photographs by Lennard, Steen Rønne/Rigmor Mydtskov, Louis Schnakenburg, Politikens Presse-foto and others.'euro 140

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  nothing doing

071. Barnett, Anthony. (ed.)

Nothing Doing in London One. London: Nothing Doing in London, 1966. Octavo, unpaginated, 7 illustrations. Loose as issued in printed chemise.

- First edition. One of 500 hand numbered copies. With contributions by Anne-Marie Albiach, Anthony Barnett, Samuel Beckett, Jean Cocteau, Michel Deguy, Paul Joyce, Alberto de Lacerda, Thomas Livingston, Harold Norse, António Sena, John Tchicai and Nick Totten.

Nothing Doing in London Two. Barnett, Anthony. (ed.) London: The Curwen Press, 1968. Octavo, unpaginated, 11 illustrations. Loose as issued imprinted chemise.

- First edition. One of 500 hand numbered copies. With contributions by Homero Aridjis, Gwen barnard, Anthony Barnett, Carla Bley, F Castillo, Michel Couturier, David Coxhead, Andrew Crozier, Stephen Dwoskin, Jacques Garelli, Edmond Jabès, Stuart Montgomery, Yoko Ono, Georg Oppen, Tom Pickard and Claude Royet-Journoud.

(all published) "The literary/arts review Nothing Doing in London took its name from the The Nothing Doing Bar subtitle to the Milhaud-Cocteau ballet Le Boeuf sur le Toit. The review lasted two letterpress issues: November 1966 and January 1968. Editor Anthony Barnett feels that his translation of the ballet scenario in the first issue is more or less acceptable but that in places it could be improved." euro 60

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  nul

072. Herman de Vries (editor)

REVUE NUL= 0. Tijdschrift voor de nieuwe konseptie in de beeldende kunst / revue pour la nouvelle conception artistique / zeitschrift für die neue künstlerische konzeption.

No. 4 (of a total of 4 published.). Arnhem: Nul-Verlag, 1964. Quarto, pages 64 - 113, Illustrated wrappers. Front wrapper with illustrations by Getulio Alviani. A fine copy.

- First edition. (edition between 300-500 )Summary: textes: m. goeritz, mexico, art is a service; d. saerbier berlin, gedichte; o. pinedo, mexico, mathias goeritz; w.e. simmat, frankfurt, architektur und freiheit; p. iden, frankfurt, polyinterpretablen kunstwerken; h. de vries, arnhem, objektivität und wirklichkeit; l.d.vancrevel, arnhem, versuchstier, wort; j. verheyen, antwerpen, "belle illusion AB=BC; h.goepfert, frankfurt, plusweiss: reflektor; y. kusama, new york interview; g. winkler, frankfurt, unzähl. dimensionen; t. toniato, milano, painting made of light; p. iden, frankfurt, über die wirklichkeit; getulio alviani, udine, texte. Illustrations by hans haacke, matias goeritz, yayoi kusama, herman de vries; hermann goepfert and getulio alviani(en couleurs) couverture. Original works by hans bischoffshausen - papier sculpté ; herman de vries - punchcard and antonio calderara - seriegrafia. Loosley laid in ammimeographed list of illustrations (for all 4 issues); a bulletin de commande where the 'nul=0' of 'revue nul=0' has been stuck through in pen and corrected with (handwritten) the word integration. the nr of the issue 3 has been replaced with a '1' and the prices have been struck through except for the dutch guilder where the price of '10' guilders has been changed into a '12'; furthermore with erratum slip for page 64, where 'getulio alviani, udine texte' has to be replace by 'getulio alviani, udine texte =' and added 'cadoresi cerroni, 'objets-paroles' a getulio'. 113. added on erratum slip the original work in frontispiece by wolfgang schmidt, hommage à O. euro 650

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  oz

073. Wilcock, John and Richard Neville (editors)

OZ 6. (June 1967) Other Scenes issue. Produced for John Wilcock of Other Scenes. Quarto, 31 pages, illustrated throughout. Illustrated wrappers.

- First edition. In this issue: Other Scenes; Blue Films by the Yard; What Does London Need Most?; The King and His Coca Cola Court by Richard Neville; Dope Sheet by Chester Anderson; John Peel interview by David Phillips & Michael Gray; Letter from a Greek prison; Jagger Saga by John Wilcock; Michael Tausig on R.D. Laing; Underground Television by Sheldon Renan; Pop lyric collage by Ben Carruthers; The Pornb£oker - Anthony Haden-Guest on Maurice Girodias. Rosetalk by Anthony Burgess; Leary in Disneyland by David Widgery; Snareart by Daniel Spörri; Picasso’s Play at St Tropez by Jean-Jacques Lebel. Displacement cartoon. Marshall McLuhan’s Kingdom. In this issue Art by Martin Sharp, Design Jon Goodchild and photography by Robert Whitaker.

Oz was first published as a satirical humour magazine between 1963–69 in Sydney, Australia and, in its second and more famous incarnation, became a "psychedelic hippy" magazine from 1967 to 1973 in London. Strongly identified as part of the underground press, it was the subject of two celebrated obscenity trials, one in Australia in 1964 and the other in the UK in 1971. On both occasions the magazine's editors were acquitted on appeal after initially being found guilty and sentenced to harsh jail terms. The central editor throughout the magazine's life was Richard Neville. Co-editors of the Sydney version were Richard Walsh and Martin Sharp. Co-editors of the London version were Jim Anderson and, later, Felix Dennis. euro 60

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  oz

074.

OZ 23. (August/September 1969) Homosexual Oz “yet each man kills the thing he loves…” Quarto, 47 pages, illustrated throughout. Illustrated wrappers. Light vertical fold, otherwise fine copy.

- First edition. In this issue: Full-page ad – Bob Dylan & The Band, Richie Havens. with 4 max ernst illustrations of which one full + one double page; Suck for Peace – extracts from The Homosexual Handbook by Angelo d’Arcangelo; Take it Like a Man; The last supper by Michael J.W. Store; Did You Feel the Earth Move Little Rabbit? by Bob Hughes; Mother Earth by Miles; Return of the Media Pirates by Alan Reid; Dr Hip Ocrates - Eugene Schoenfeld; Review of Some of IT; Mozic: Blind Faith reproduced LP cover; Phil Ochs/Deviants/Pink Fairies music culture commentary. LP reviews: Blind Faith, Martha Vellez, Dr Strangely Strange and Tim Buckley; Trouble in Molopolis; Leonard Cohen ‘The Beautiful Loser’ by Raymond Durgnat;‘Biography of the Simeon Synthesizer’ by Simeon of Silver Apples. euro 60

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  oz

075.

OZ 26. (Feb/March 1970) Pussy Power issue. Quarto, 47 pages, illustrated throughout. Illustrated wrappers. Light soiling but still very good.

First edition. In this issue: Poem ‘A Sane Revolution’ by D.H. Lawrence; Portrait of a Bolshevist; The New Word Po Po by Edward de Bono; Heavy Shit by Felix Dennis; The Biggest Tool in Show-Biz by Jed Tanner; The Slag heap Erupts by Germaine Greer; Gangster of Love deported. Exract from Bill Levy's journal; Candy Darling photo centerfold; The Food Explosion -part 2; Lennon/Ono Instant Karma! ad; Dear Doctor Hippocrates; Acid Flix by Albie Thoms. Flogging Critics by Peter Buckman; The Chicago Conspiracy Trial transcript; Played Out by David Widgery; Head Books by Jim Anderson; Chaoz – anti TV. Numerous advertisments. This issue with light foxing throughout. euro 60

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  pages

076. Briers, David (ed.)

Pages. International Magazine for the Arts. Nos. 1-2 (of 3 published). London: HRS Graphics Ltd. Autumn - Winter 1970. Quartos, illustrated throughout and illustrated wrappers.

No. 1. 35 pages. Contents: Diter Rot: Recent writings selected etc., by Emmett Williams; Diter Rot: Cheese Pieces; Tom Phillips: Three pages from 'A Humument'; Pieces for Performance: Ben - Jiri Valoch - Timm Ulrichs - Gianfranco Baruchello - Gianni-Emilio Simonetti - C. R. Ginzburg - Jochen Gerz - Mauricio Kagel/Joseph Beuys - Tom Phillips - Dom Sylvester Houedard: parameters & paramitas; Luigi Ferro: Three statements; Eugenio Carmi: 'Stripsody'; P. A. Gette: Cadrages d'espace et cristaux; Information; Notes on contributors. Loosley inserted postcard by Richard Hamilton. Cover photograph of this issue by Herman Makkink. Front wrapper slightly wrinkled, otherwise fine-

No. 2. 38 pages printed on different colored stock. Contents: .M.art: multiple art by post catalogue; Richard Demarco: Reflections on 'Strategy: Get Arts' plus an anthology of reaction from the press; Recent Czech activity: Milan Grygar - In memoriam Josef Honys - Jaroslav Malina - Jiri Valoch/Jindrich Prochazka; Scores: John Furnival - Cornelius Cardew - Tom Phillips - Christopher Hobbs/Howard Skempton - Hugh Shrapnel - Michael Chant/John Tilbury; 'Art in Everyday Life': Timm Ulrichs/Ian Breakwell - Robert Filliou - Alain Arias-Misson - Paul Berr - Amodulo-Art - chille Bonito Oliva/Jean-Claude Moineau/Nicholas Zurbrugg; Information; Letters/Errata/Notes on contributors; Nicholas Zurbrugg: Towards the Death of Concrete Poetry; Time Magazine Art Page; Centre spread tear-out supplement:'Perforation of the Hole', a composition by Mauricio Kagel. Cover photo: Herman Damen.

Closely related to concrete art and poetry, edited by David Briers. Very rare full set of all three numbers and complete with the loosely-inserted postcard by Richard Hamilton in number 1. Texts and contribs. by Diter Rot, Emmett Williams, Tom Phillips, Luigi Ferro, Ben, Jiri Valoch, Ginzburg, Mauricio Kagel/Joseph Beuys, Richard Demarco, a feature on M. Art, John Furnival, Robert Filiou, Herman Damen (cover for no. 2) etc. Number 3 published in 1972, designed by Alastair Campbell, with contributions by Janos Urban, Hans-Wener Kalkmann, William Luis Sorensen, Wolf Vostell, Joseph Beuys, Franco Vaccari, Franco Ravedone, Peter Kennedy, Edgar Antonio Vigo, Bern Porter. euro 160

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  panderma

077. Laszlo Carl (ed.)

Panderma 1. Revue de la fin du monde. Basel: Panderma Verlag, 1957. Quarto, 28 ( + 14 pages), numerous illustrations. Illustrated wrappers. Fine.

- First edition. Contributions by Arp, Ball, Huelsenbeck, Marcel Jean, Hausmann, Hans Koechlin, Man Ray, Edouard Roditi, Robert Suter, Charles Estienne, numeraous contributions by Laszlo and others. Looslely laid in a folded invitation for 'Theaterabend Ionesco-Cocteau-Laszlo' + errata slip. euro 100

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  parkett

078. Blum, Peter (ed.)

Parkett No.21. Collaboration Alex Katz. Zurich: Parket Verlag, 1989. Quarto, 151 pages, numerous illustrations in black and white and in color. Illustrated wrappers. Fine.

- First edition. Articles by Lisa Liebmann, John Russell, Brooks Adams, Alex Katz and Francesco Clemente a discussion between), Michael Krüger and others. euro 50

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  phases

079.

Phases. Nr. 7. Cahiers internationaux de documentation sur la poésie et l'art d'avant-garde, mai 1961. (Jaguer, Edouard. directeur) Paris : Phases, 1961. Quarto size magazine, 54 pages, numerous illustrations, among which 3 tipped in colored plates. Illustrated wrappers. Front wrapper by K.O. Gotz.

- First edition. With original lithographs (27 x 21 cm) by Roland Giguère and Pierre Alechinsky. Texts by Edouard Jaguer, Jehan Mayoux, Traité des fourchettes (extraits) – illlustrated with Munari’s forks, Robert Benayoun, Raoul Haussmann, Radovan Ivsic, Paul Joostens and José Pierre. Illustrations by Enrico Baj, Corneille, Hans Hartung, Wifredo Lam, Jindrich Stryrsky, Toyen, Wolfgang Paalen, H.E. Kalinowski, Bruno Munari, E.L.T. Mesens, Anton Rooskens, Styrsky and others.

Phases. Nr. 10. Onzième Année, Septembre 1965. (Jaguer, Edouard. directeur) Paris : Phases, 1961. Quarto size magazine, 79 pages, numerous illustrations, among which 4 tipped in colored plates. Illustrated wrappers. Front wrapper by Ladislav Novak. Very minor bump to bottom right corner.

- First edition. With original lithographs (27 x 21 cm) by Wilfredo Lam and Jean Pierre Vielfaure + one original woodcut by Remo Martini. Texts by Julio Cortazar, Edouard Jaeger, Frantisek Smejkal, Vera linhartova, Kurt Seligmann, Ladislav Novak and others. Illustrations by Enrico Baj, Jindrich Styrsky, Toyen, Karel Teige, Frantisek Muzika, Josef Sima, Kurt Seligmann and others. each issue euro 80

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le petit colosse

080. Spoerri, Daniel (Rédacteur en Chef et garçon de courses)- Kichka Baticheff (Rédactrice permanente a mi-temps).

Le Petit Colosse De Symi . The Nothing Else Review. Mensuel, ou peu s’en faut. Nos. 1-4 (all published). Basel/Zurich, 1966-1967. Folded broadsheet, each 32 pages of which the 2 first issues are printed on yellow ochre + flesh ochre stock; issue three is cut + stapled; nr. 4 with 30 illustrations. All issues in fine condition.

- First edition. Contributions by : No. 1: Jean Tinguely : ‘Text 1953’ ; Robert Filliou ’Trois hommages a d’autres’ ; Emmet Williams ‘Un post-scriptum’ ; Diter Roth ‘Der Blaue Flut zweiter Teil’ ; André Thomkins : ‘Passpartout’ ; Daniel Spoerri : ‘Notes cloches sur l’histoire de Simi’ No. 2: Kicka Baticheff: ‘Ci-git le journal Kinortine’ No. 3: Daniel Spoerri: ‘Dissertation sur le ou la Keftédès’ ou ‘Réflexions sur le prémâche’ ou ‘comment parler boulettes et non art’ avec ‘une excursion imprévue sur le sang. No. 4 : ‘Conserves de magie à la noix 25 objets archéologiques de et par Daniel Spoerri. euro 500

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poesia

081. Armero, Gonzalo (editor)

Poesia. Revista ilustrada de Informacio Poetica. no. 9. Madrid: Ministerio de Cultura, 1985. Quarto, 134 pages printed on different colored stock, numerous illustrations. Tyopgraph wrappers. A fine issue of this beatifully produced magazine.

- First edition. Indice : OCHO MÁXIMAS DE SÉBASTIEN CHAMFORT TRANSCRITAS POR SAMUEL BECKETT (Traducción de Vicente Molina Foix) ; EL VORTICISMO (Presentación: Kevin Power. Traducción de Manuel Brito y Marta Sánchez); Rosa Chacella. POESÍA DE JUSTO ALEJO; Justo Alejo Océanos. MONUMENTALES REBAJAS (separata facsímil - ); Joao Cabral de Meló Neto. DOS PARLAMENTOS (Traducción de Gabino-Alejandro Carriedo); CONVERSACIÓN CON LOUIS ARAGÓN (Conversación mantenida por Jean Fernández y Patrick Kobuz. Traducción de Julia Escobar) ; LOS CÁNONES ENIGMÁTICOS DE JUAN DEL VADO' (Presentación: Luis Robledo) ; Pedro De Orellana. EL CANCIONERO DE ANA YÁÑEZ (Presentación: Miguel J. Monteserín) ; UNA PANORÁMICA DE LA POESÍA CHILENA ACTUAL (Recopilación: David Turkéltaub). Loosely inserted in the rear of the magazine Justo Alejo Océanos'. MONUMENTALES REBAJA, a 36 page bboklet printed on reddish stock. euro 60

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rassegna

 

 

 

 

rassegna

082. Gregotti, Vittorio (ed.)

Rassegna. Problemi di architettura dell’ambiente. Rivista Trimestrale. Anno I – Anno XIV nrs. 1- 50. Bologna: Editirice Cipia Srl, 1979 – 1992. All quartos size, each issue around 110 – 130 pages, profusely illustrated. A near fine set with just a few issues with lightly soiled wrappers.

A complete run of the first 50 issues (Nr. 50 being the index of the issues published before) of this important Italian architecture and design magazine. Contributions by a staff of international architects, critics and historians among which: Francesco dal Co, Purini, Frampton, Julius Posener, Tim Benton, Joseph Rykwert, Werner Oechslin, Manfredo Tafuri, Massimo Scoleri, Sergio Polano, Germano Celant, Umberto Eco, Louis Marin, Wolfgang Pehnt, Winfred Nerdinger, Tomas Maldonado, Kenneth Frampton, William S. Huff, Stanislaus van Moos, Francis Strauven, Vladimir Slapeta, Christian Schädlich, Gerrit Oorthuys and many others.

Nr. 1 "Recinti" Nr. 2 "Ferrovie dello Stato 1900-1940" a cura di Angelo Tito Anselmi. Nr. 3 "I clienti di Le Corbusier" a cura di Pierre-Alain Croset. Nr. 4 "II disegno del mobile razionale in Italia 1928-1948" a cura di Omelia Selvafolta. Nr. 5 "Riviste, manuali di architettura, strumenti del sapere tecnico in Europa, 1910-1930" a cura di Ludovica Scarpa. Nr. 6 "II campo della grafica italiana" a cura di Pierluigi Cerri. Nr. 7 "Carlo Scarpa, Frammenti 1926-1978" a cura di Arrigo Rudi con Roberto Ulisse e Massimo Giacometti. Nr. 8 "La natura dei giardini" a cura di Joseph Rykwert. Nr. 9 "Rappresentazioni" a cura di Giorgio Ciucci e Massimo Scolari. Nr. 10 "Allestimenti" a cura di Pasquale Plaisant e Sergio Poiane Nr. 11 "Giuseppe Terragni 1904-1943" a cura di Daniele Vitale. Nr. 12 "Architettura nelle riviste d'avanguardia" a cura di Jacques Gubler. Nr. 13 "Attraverso lo specchio" a cura di Isabella Pezzini e Pierà Scuri. Nr. 14 "II disegno dei materiali industriali" a cura di Giampiero Bosoni e Manolo De Giorgi. Nr. 15 "Walter Gropius 1907-1934" a cura di Marco De Michelis e Agnes Kohlmeyer. Nr. 16 "Turris Babel" a cura di Massimo Scolari. Nr. 17 "Tony Garnier, da Roma a Lione" a cura di Jean-Louis Cohen e Michel Roz. Nr. 18 "Veicoli, 1909-1947" a cura di Angelo Tito Anselmi con Giovanni Klaus Koenig. Nr. 19 "II contributo della scuola di Ulm" a cura dì Giovanni Anceschi. Nr. 20 "Fotografie di architettura" a cura di Gabriele Basilico, Giovanna Calvenzi e Gaddo Morpurgo. Nr. 21 "Louis I. Kahn 1901-1974" a cura di Maurizio Sabini. Nr. 22 "Venezia città del moderno" a cura di Carlo Magnani e PierAntonio Val. Nr. 23 "Colore: divieti, decreti, dispute" a cura di Renate Eco. Nr. 24 "Microstorie di architettura" a cura di Manolo De Giorgi. Nr. 25 "Sigfried Giedion: un progetto storico" a cura di Vittorio Magnago Lampugnani con Marlene Dòrrie. Nr. 26 "II progetto del mobile in Francia, 1939-1939" a cura di Giampiero Bosoni con Luca Lotti. Nr. 27 "Ludwig Hilberseimer" a cura di Marco De Michelis e Agnes Kohlmeyer. Nr. 28 "Perret: 25bis rue Franklin" a cura di Luca Lotti. Nr. 29 "Parigi e le vie d'acqua" a cura di Pierre Pinon. Nr. 30 "Piet Zwart: L'opera tipografica 1923-1933" di Bruno Monguzzi. Nr. 31 "Interni a Milano e a Corno 1927-1936" a cura di Giacomo Polin. Nr. 32 "Maquette" a cura di Giovanni Vragnaz. Nr. 33 "Aldo Andreani 1909-1945" a cura di Fulvio Irace. Nr. 34 "Architettura in Belgio 1920-1940" a cura di Dario Matteoni. Nr. 35 "Modificazioni dell'abitare" a cura di Giovanni Vragnaz. Nr. 36 "Minimal" a cura di Annalisa Avon e Germano Celant. Nr. 37 "Barcelona" a cura di Joan Busquets. Nr. 38 "Neues Bauen in der Welt" a cura di Giordano Tironi. Nr. 39 "Trasporti non convenzionali" a cura di Giordano Tironi. Nr. 40 "Breslavia" a cura di Vladimir Slapeta. Nr. 41 "I sensi del decoro" a cura di Bruno Pedretti. Nr. 42 "I territori abbandonati" a cura di Bernardo Secchi e Stefano Boeri con Livia Pipei Nr. 43 "Reklame & Architektur" a cura di Jacques Gubler e Giordano Tironi. Nr. 44 "Transatlantici" a cura di Natasha Pulitzer Los. Nr. 45 "Goethe, Van de Velde e Gropius a Weimar" a cura di Klaus Jurgen Winkler con Giordano Tironi. Nr. 46 "Brevetto e disegno" a cura di Giampiero Bosoni. Nr. 47 "Mart Stam 1899-1986" a cura di Gerrit Oorthuys e Werner Mòller con Sabine Le Nr. 48 "Ponti abitati" a cura di Jean Dethier e Ruth Eaton. Nr. 49 "Cemento armato: ideologie e forme da Hennebique a Hilberseimer" a cura di Luciana Ravanel, Maurice Culot e Gwenaél Delhumeau. Nr. 50. “Indici 1-50”. euro 1.200

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real free

083. Stoop, Olaf and Martin Beumer (editors)

Real Free Press No. 1. Amsterdam: Real Free Press, 1971. Newspaper size, 20 pages in self wrappers, illustrated throughout. Cartoons by Bud Fisher, (inlcuding intervie with..); Harrison Cody; Percy Crosby + T.S Sullivant.

Real Free Press No. 4. Amsterdam: Real Free Press, 1971. Newspaper size, 24 pages in self wrappers, illustrated throughout. Cartoons by Robert Crumb, S. Clay Wilson, a centerfold drawing by Rupert v.d. Linden ( 'Inleiding bij een stripgeschiedenis van het anarchisme door Rudolf de Jong - strips taken form the French 'Pilote')

The first issue of the Real Free Press was of November 1968 - the business died around 1980. The height of the Underground Press. Hippie time. Run by Olaf Stoop and Martin Beumer, it grew out of the Provo scene and was the only publishing house I know of that ran on dope money. Their shop was affectionately known as boek en dopie among the clientèle. In the start, it was weed, but later this changed to cocaine, which took away all the fun: They never produced much after the Blue Lady really took over. The end really came when Olaf got busted in 1978, just about when we left Holland. euro 40

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re nudo

 

 

 

 

 

 

 

 

 

 

 

 

pantere bianche

 

 

 

 

 

 

 

 

 

 

 

 

 

re nudo

 

 

 

 

 

re nudo

084. Valcarenghi, Andrea (editor)

Re Nudo. Rivista di controcultura e controinformazione. Milano: dec. 1970 - ott 1973. 22 (including the supplement in nr. 12) consecutive issues of the most important italian countercultural magazine. All folio size except for nr. 6 that has been isssued in a somewhat smaller format; all issues are illustrated throughout (cartoons, photographs, drawings ) and printed in 'rainbow' colors. All issues are in near fine condition except for the 0 number, of which the spine starts splitting, inside fine.

numero 0. novembre 1970.15 pages. sommario: re nudo? / la verità di stato / autunno dei padroni / fatti avanti cretino / pavia: alza i tacchi e andiamo via / vaselina in classe / marrone: un giudice dei nostri / timothy leary: una fuga rivoluzionaria / marihuana quiz / angela davis / fedayin uomini contro / i jumbo jet non ci servono / hair non ci piace / sante notarnicola,« bandito » / morte accidentale di un anarchico defenestrato (dario fo)/. This first (0) issue yellowed, spine starting, inside fine.

numero 1. dicembre 1970. 19 pages. sommario: compagne difenditi / pantere bianche pantere bianche nere: 2 battaglie un solo fronte / a milano: 20000 non pagano l'affitto / L.S.D. 25 / lalettera di t. leary / weathermen underground / chi sono i weathermen? lotte e repressioni nel mondo / controgiornale parte prima / cari guidici, lasciatemi perdere.../quale musica per favore / conosci londra / controcitta' / per pio 70 la paura fa 90 /

numero 2. gennaio / febbraio 1971. 24 pages. sommario: trattare i compaani da nemici vuoi dire porti sulle stesse posizioni del nemico / dove a s. vittore / della savia: lo accusa da porto azzurro / taranto: bambini in rivolta / sono tutti d'accordo per metterci fuori legge / aveva ragione « nonna «camilla / come si castiga un - maoista / il re spogliato / israele: godi delle nostre vittorie con la kodak a colori / polonia: si nascondono dietro il rosso per colpire il rosso / young lords / i kabouter / conosci amsterdam / a sinistra in piazza, a destra sul letto /

numero 3. marzo 1971- anno ii. 24 pages. sommario: si sono uniti per picchiare più forte / capanna: dove vola? )/ "fuori figli di puttana" ..., e ci hanno distruttq la casa / gli squadristi di stato hanno la loro gestapo / lettera di faccioli dal carcere / inserto di sima / movimento di liberazione della donna (resistenza alla presa di conscienza - irene peslikis; analisi della "nuova femminista" bonnie kreps - un manifesto per la revoluzione - kate millet) / documenti mombello: matti col pugno chiuso / chi -la fa l'aspetti / spagna: l'età' della ragione / zengakuren, zenkioto / dove a parigi / john mayall /

numero 4. aprile 1971 - anno ii. 16 pages. sommario: creare due, tre, molti "re nudo" / la strage dei testimoni i gli imputati del 25 aprile dal carcere /w la comune di parigi / e se la patria chiama ditele che ripassi... / controgiornale rosso (quello che non dice la stampa borghese) / brigate rosse: comunicati nr. 1, 2, 3, 4, 5, 6 / la autocritica dei weathermen / bambini si nasce, matti si diventa / dove a istambul /

numero 5. maggio 1971 - anno ii. 18 pages. sommario: pacelli - togliatti: paolo vi - berlinguer: il dialogo continua / creimao dieci, cento, mille comuni! / intervista a w. burroughs / dove al cinema / sei mila al palalido: "santana puttana esci della tana" / / terza visione: i film sui giovani e i film politici italiani / dove a new york / porci e dogana permettendo ... i deep purple / underground news /

numero 6. giugno / luglio / agosto 1971 - anno ii. 15 pages. sommario: per un modo nuovo di fare politica / creare strutture alternative / una scelta di campo / comuni subito / lettera aperta da una comune mistica della sicilia / ovada: i contadini dell'underground / istanbul katmandù: tutto per un viaggio in india / recensione di play power / compagno difenditi (ultima parte) dall'inferno di volterra / scuola rossa in zona garibaldi / meglio tardi che mai / ma « servire » chi? / vogliamo disporre liberamente del nostro corpo / amfetamina droga fascista / bob dylan / il nuovo western/

numero 7. settembre 1971 - anno ii. 15 pages. sommario: compagno, cambiamo la vita / un passo avanti / le comuni proletarie / la comune: base rossa nel partiere / la donna come oggetto / le strutture del p.c.i. e le nostre / per un modo nuovo di fare musica / cosa è il « movimento » / sulla miniscissione: chiudiamo l'argomento / acido: dieci consigli per i principianti / per i porci e gli sciacalli sesso e droga è l'accoppiata vincente / renudofestivalpop / nuovo capitale nuova musica / risposta alla lettera aperta della comune mistica / appello da ceylon: qui la lotta continua / cosa serve l'esercito / soldato difenditi (prima parte) / tutto per un viaggio in pakistan /

numero 8. ottobre 1971 - anno ii. 20 pages. sommario: distruggiamoci la città / la sede come centro di contro¬cultura / progetti di controcultura da realizzare nel centro / ballabio: musica, erba, bandiere. due giorni di comunismo / dove a goa / inserto sima n. 2 / droghe quali sono e cosa fanno / processo a oz / ii primo giorno della no¬stra era / dichiarazione di sante notarnicola / da s. vittore: fuori i fascisti dal 2° raggio / ii mondo è vostro, il futuro vi appartiene / bambini mani in atto /

numero 9. novembre / dicembre 1971 - anno ii. 16 pages. sommario: il potere nasce dall'erba e dal fucile / vogliamo tutto / underground new / provocano la vecchia talpa / compagni soldati, poveri cristi / bambini mani in alto (2) / notarnicola: il bandito è diventato comunista / spettacolo new trolls: insalata anglo-americana / intervista con g. jackson /

numero10. gennaio / febbraio 1972 - anno iii. 16 pages. anno iii. sommario: che cosa vogliamo e perché nascono le pantere bianche / se la patria chiamai... / compagni soldati poveri cristi / da s. vittore: free dope, free peoplel / j. sinclair "rock + guerra di popolo contro la musica e la classe dei padroni"/ bambini mani in a alto (3* puntata) / underletters / a. ginsberg: contro porci, amfetamine e sistema /

numero 11. marzo 1972 - anno iii. 16 pages. sommario: compagni ricostruiamo il «movimento» / sul teatro di guerriglia / jethro tull / gentre giant- van der graaf generatorry gallagher / documenti dal carcere civile e militare / un pescatore a pugnochiuso / j. rubin: liberato il compagno sinclair / gli omosessuali rivoluzionar! / a. weberman: bob è diventato un porco / letter e underletter / distruggiamo il vecchio, costruiamo il nuovo / per un controgiornale /

numero 12. aprile / maggio 1972 - anno iii. ( 12 pages) sommario: renudo pop festival 2 / 2e parte del documento del fronte di liberazione della gioventù francese / una esperienza guida per una pratica sociale alternativa /colletti e comunismo / t. grumbach: i giovani / quando la poesia... vince la tecnica / nessuna differenza tra obiezione e lotta di classe / letter e underletter / detenuti in carcere militare /

+ loosley laid in a 16 pages stapled supplement:

pantere bianche numero uno. maggio ' 72. (1 of 2 published) periodico die pratica alternativa. sommario: 16/17/18/ giugno il re nudo pop festival a zerbo: la festa dell’yip proletariat// si allarga l’inchiesta sul caso Feltrinelli: muore kalabresi // la differenza tra re nudo e pantere bianche//sospeza la manifestazione del 3 giungo// un discorso per gli attacchini // milano: é iniziata l'attività al centro di controcaltura // i primi tatze-bao a brera contro la repressione e le spie // l’amfetamina ora fuorilegge, é sempre droga fascista //

The foundation of the 'Pantere Bianche' was inspired by the "White Panther" movement started by John Sinclair in 1968. Her in Italy it was an attempt to unite issues important to the counter cultural movement with more political issues like abortion, divorce, prison conditions etc.

numero 13. giugno 1972 - anno iii. un paginated (12 pages) sommario: discorso sul festival pop / heads hands and feet - rod argent / 2. 3 cose come contributo al progetto di "controcultura" / racconto di uno spacciatore / speed / letter e underletter / a proposito di droghe / dove a londra / fotografare / tutti uguali in karcere / per una radio... / primo attacco fascista all'underground /

numero 14. settembre 1972 - anno iii. 15 pages. sommario: chi siamo e cosa vogliamo / pantere bianche: 2 passi indietro per andare avanti / non affrontare in modo spettacolare la questione femminista / zerbo, una esperienza interessante con qualche lacuna / violenza e non violenza / a chi violento? / sul carcere: il fuori visto da dentro / la controinformazione passa per l'immagine / ricordiamo j. morrison dei doors / sulla marcia antimilitarista da trieste ad aviano / settembre andiamo è tempo di mirare / mao come sadik? / mc govern si, ma..../

numero 15. ottobre 1972 - anno iii. un paginated ( 12 pages) sommario: cui prodest? / la classe operaia è forte, il movimento no. / caro gruppo / si migliora, si migliora.... / topografia della mafia musicale/ tutta la musica al popolo / sulla questione femminista... ma la forza del-l'umanità è rimasta dietro la porta chiusa / ...ma anche dio avrebbe dovuto pensarci prima / quando carlo silvestro non si chiamava gatto silvestro / della grammatica e dell'intolleranza / india un oasi di che? / paradiso di destra /...e gli occhi azzurri di sossi si chiusero sul 22 ott... /

numero 16. (novembre / dicembre) 1972 - anno iii. 16 pages. sommario: contro l'ideologia e la cultura borghese / assasini / come il sistema si serve degli agenti-hippy per reprimere meglio / lo spettcolo della societa / perche' l'ambulatorio rosso.../ giuseppe chiari: una societa che sopprime la musica, fa si che l'unica musica sia la soppresione delle societa / un viaggio fra una logica orientale: la fame / (in this issue a reproduced photograph of bas jan ader short film - 'i am to sad to tell you' !!! /

numero 17. n.d. 1973 - anno quarto 15 pages. sommario: la marihuana è innocua la legge - no / lettera da massimo / secondo saremmo ridotti male? / emergenza ! per un fermo di un anno / la legge: come t'incastro l'hippy (oggi) l'extra parlementare (domani) /roma milano contro l'antidroga / l'arancia meccanica di g. andreotti / ministero grazia e giustizia ' la marijuna non fa male" / la rivoluzione e vita ? a londra si muore / l' india e quello che sei / il fronte degli ipocriti / la confessione di paolo bugialli.../ da "abc" notizia gap / videotape / film / libri / dischi/ cosa fai il sotto armi ? levati che potresti farti male !/ non e' il nostro programma: sono i pensieri di mao! /

numero 18. n.d. 1973. - anno quarto. 13 pages. sommario: la politica al primo posto / re nudo: una svolta radicale / aperta la campagna anti-legge droga: unita' della sinistra rivoluzionaria / vademe-cum per l'obiettore / polizia: 95 raptus / dal manicomio criminale di montelupo / roma: controcitta' e vademecum per il freak / collettivo femminista: a proposito dell'aborto / conclusioni sul l'india/ studenti: a milano si costituisce il collettivo di controcultura / un film fascista/ libri / musica pop/

numero 19. n.d. 1973. 12 pages. sommario: 12 maggio: tutti in piazza a milano per la manifestazione europea per il vietnam! dall'underground alla controcultura / circoli ottobre, circoli gramsci, circoli la comune, comitato vietnam/lettere sulla scissione / sesso rosso / obiezione di coscienza: tutti gli articoli della legge truffa / elenco dei servizi alternativi per i viaggi in europa / libri e film / indiani: vogliono lo scalpo del presidente / continua la campagna contro la legge antidroga milano: controcittà / milano: l'assessore crespi contro la libertà di espressione / milano: programma del centro di controcultura/

numero 20. n.d. 1973. sommario: vietnam sempre / è tutta roba comunista / la fabbrica delle bambine / la tortura del sonno / a morano sul po, casale monferrato: re nudo pop festival n. 3 / le squadre del comune / chi si stupisce di chi? / film - libri -dischi / per una alternativa musicale /

numero 21. n.d. (ottobre) 1973. 21 pages. sommario: primo congresso nazionale "oltre 1'underground / fabrizio de andre: "fascista io?" / alpe del viceré: cronaca della prima pop-occupazione / settima marcia antimilitaristica / via i fogli di via! / napoli domodossola civitanova marche: la truffa-pop ha colpito ancora / da novara, un carabiniere denuncia: "ho partecipato all'assalto / "vicenza frea / il f.uo.r.i. all'università 7 ricordo di jimi hendrix /

- all first editions. 're nudo nasce nel novembre del 1970 interprete dei bisogni esistenziali del tempo di vita oltre le otto ore lavorative. era la rivista delle altre sedici ore trascurate dalla politica. sessualità, musica, droghe psichedeliche, festival, comuni, viaggi, erano le tematiche principali. re nudo era la rivista di riferimento, ponte tra la sinistra extraparlamentare meno ortodossa e il mondo freak alternativo più aperto al sociale?' euro 1.600

for more info visit: http://www.renudo.it/contenuti.aspx?action=rivista

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