085. de Vries, Herman (editor)

Revue Integration no. 9. Reinhardt, Ad, Mathias Goeritz, Herman de Vries.  Arnhem: Herman de Vries, n.d..  Quarto, unpaginated. black paper wrappers and white printed label. Some wear to the edges of wrappers, otherwise a good copy.

- First edition. One of 320 numbered copies. The three contributions, Reinhardt's "Black" Goeritz's "Message", and de Vries's "White" appear here as wordless sections, just blank pages, black or white paper, or in the case of Goeritz' section, a set of lines embossed on gold paper. euro 150

086. Peellaert, Guy - Cohn, Nik.

Rock dreams. Die Geschichte der Popmusik (11 issues, all published). München: Walther H. Schünemann Verlag, 1973. All quarto's, 36 pages (last issue 48), illustrated throughout. Illustrated wrappers. Loose as issued and in near fine condition.

- First edition. euro 80

087. Baraghini, Marcello (editor)

Roman High Roma Sotto. (English + Italian Text) Anno I, numero 1- 3, n.d. (1971 - 1973) – (3 of 8 published, there was also a 0 - number!) with the fourth number begins Roman High Roma Sotto / Fallo ! and the numbers 5 - 7 will only be called Fallo!

numero 1: - happenings in-off-beat-sexy-underground-crazy-free in Italian-english every two weeks-quindicinale. octavo, 48 pages, numerous illustrations, printed in several colors. Illustrated wrappers. With attention for, film, music and ‘what’s on’ in Rome. Articles on pink floyd, chicago, women’s lib, drugs and revolution + a two page cartoon by crumb.

numero 2: - milano sotto / underground / comuni- communes / rock / erotic cinema / cartoons. Small folio, 15 pages printed in several colors with numerous illustrations. articles on uriah heep, pink floyd, andy warhol, a double page cartoon by crumb, women’s lib, james bond and info on milano’s underground.

numero 3: - sesso – 10 domande a una virgine Italian / droghe – quello che nessuno vuole dirvi / rock – un anno di Rock in Italia – poster / rivoluzione – se un movement deve nascere…. Small folio, 15 pages printed in several colors with numerous illustrations. With articles by: dr. Hippocrates on soft and hard drugs and an article on the clitoris. An article o magic and info on what’s on in London, Amsterdam, Milano and Savona.

- First edition and a good set of this Italian underground magazine. euro 200

089. Classen, Brigitte (editor)

Die Schwarze Botin. Berlin: Die Schwarze Botin, 1977-1984. (nr. 1, 3, 5 -17, 23 - a total of 16 nrs in 15 issues (nr 14, 15 being a double issue) - of 33 published?) All quarto size. Wrappers with just some minor use, but still fine. inside very fine.

no. 1. 1977. 36 pages, 9 illsutrations. Illustrated wrappers. Summary: Gedicht mit Perspektive; Schleim oder Nichtschleim, das ist hier die Frage / An Stelle eines Vorwortes / Einiges zu unserer Planung; Schnittmuster für zukunftsorientierte Frauen; Der Faschimus als höchstes Stadium banaler Herrschaft / Banales Klischee und Faschismus des Alltags / Das Monument. Denkmäler des banalen Patriarchats / Faschismus und Natur ; Die neue Innerlichkeit / Dekadenz mit Schlagobers / Der Sozialcharakter des süßen Mädels / Das süße Mädel und die Arbeit / Das süße Mädel und die künstlichen Blumen ; „Dann spürten wir den bösen Blick der Abstraktion" / Rezension des Heftes 5 der Frauenoffensive „Aufständische Kultur' ; Frauen gemeinsam sind stark / Interview mit Regina Krause vom Frauenbuchvertrieb in Berlin; Im Januar 1977 sollen 200 000 Frauen penetriert werden / Kleine Anmerkungen zu Alice Schwarzer Illustrations by Max Ernst, G. Goettle, J. Thorak, G. de Chirico and Sarah Schumann.

no. 3. April 1977. 42 pages, 6plates and several text illustrations. Summary: Brief der Schwarzen Botin an die Teilnehmerinnen des Münchner Frauenkongresses(Frühjahr 1977); Pornographie als Verherrlichung patriarchaler Gewalt ; Alltäglichkeiten, der Rede wert Meine Intellektuellen Freunde (Gedichte, Karin Huffzky) ; Das akademische Geschlecht / Bemerkungen zur Sexualästhetik (Roswitha Kaever); Der Mann (Gedicht, G. Drüten); Das normale Liebesleben / Bemerkungen zur Psychoanalyse; Die Guten gehn im gleichen Schritt (Branka Wehowski); Gegen das „feministische" Bilderverbot (Rita Bischof); Die Sprache der Körper (Marianne Wex) ; Sarah Schumann : Vom Mythos zu den Freundinnen (Ilse-Marleen Stoessel); Himmelschlüssel Dorothea Hörauf (Ginka Steinwachs); Paula (Elfriede Jelinek). Illustrations by Gabriele Goettle, Meret Oppenheim, Eva Hesse, Marianne Wex, Sarah Schumann; Ginka Steinwachs.

no. 5. Juli 1977. 42 pages, 6 illustrations and several text illustrations. Summary: Die kluge Else (Gerburg Treutsch-Dieter) ; Die Gewalt des Normalen (Barbara Freymuth); Der Terrorist ist schuld (Sonja Immermann); Annäherungen (Sarah Schumann); „Ich habe eine furchtbare Lust nach verbotenen Augen!" (Gisela von Wysocki); Durch die Wüste (Maria-Antonietta Macciocchi); Aus einer Vorlesung über die Tragödie (Elisabeth Lenk); Die schlafende Riesin (Christa Reinig); Lysistrata 75 oder: Frauen proben den Aufstand (Ginka Steinwachs); Lippenblütlerinnen unter dem Gesetz / Über feministische Diskurse in Frankreich: Luce Irigaray, Helene CiXous, Catherine Clement, Julia Kristeva (Annette Runte); Auszug aus den Hexentexten von Unica Zürn. Illustrations by : Max Ernst, Gabriele Goettle and Unica Zürn

no. 6. Januar 1978. 44 pages, 8 illustrations and several text illustrations. Illustrated wrappers. . Summary: Casanova (Gabriele Goettle); Der unheimliche Säugling (Ute Boose); Una donna(Beatrice Brauckmann); Nora (Elfriede Jelinek); Herbarium der Lüste(Branka Wehowski); Madame X (Ginka Steinwachs); Über die Wünsche (Gisela v. Wysocki); Schwachsinn(Brigitte Classen); Theorie der Weiblichkeit(Eva Meyer); Über Kurz oder Lang (Gabriele Goettle); Stille Post(Roswitha Kaever). Illustrations by Gabriele Goettle ; Berenice Abbot and the Catchpenny Prints.

no. 7. April 1978. 37 pages, 9 illustrations and several text illustrations. Illustrated wrappers. Summary: Grit oder das Fest oder was man so nennt (Elfriede Gerstl); Ein neuer Intellektuellen-Typ: der Dissident (Julia Kristeva); Die Heilige Familie in der Damenbibliothek (Gabi Dietze); Der Geist aus der Flasche — die Welt aus der Wand (Gabriele Goettle); Eine Mutter reist nach Stammheim (Isolde Eckle, Ute Frank); Arsenikblüten: Tagebuch (Danielle Sarrera); Gedanken über mögliche Formen feministischer Anarchie(Gabriele Goettle); Blut und Boden und das Tausendjährige Reich (Christa Reinig) Illustrations by :Gabriele Goettle, Edith Lechtape and Sarah Schumann.

no. 8. September 1978. 38 pages, 7 illustrations + text illustrations. Illustrated wrappers. Summary: Krankheit als Metapher (Susan Sontag); Edith Lechtape (Nelly Caballero, Christiane Lenoble, Nicole Walter); Berechtigte Fragen (Elfriede Gerstl); Verschobene Räume / An verschiedenen Tagen Rom-Berlin (Sarah Schumann); Unerbittliche Liebe (Gabriele Goettle); Udo / untersuchungen zu udo Jürgens liedtexten (Elfriede Jelinek); Der Wolf und die Frau (Christa Reinig) Die Sprachdiebinnen (Dorothea Muenk); Die Herrschaft des Phallus im Delta der Venus (Gabriele Dietze); 2 Jahre Schwarze Botin. Illustrations by Edith Lechtape, Gabriele Goettle, Ulrike Ottinger.

no. 9. Dezember 1978. 39 pages, 6 plates + text illustrations. Illustrated wrappers. Summary: off limits belvedere (Heidi Pataki); Der Vergleich / Finale (2) / Vielfältig ja! (Karin Kersten); guten abend - eine montage (Friederike Mayröcker, Ernst Jandl); Existenzphilosophie Wandervögel (Gabriele Goettle); ,,Dankesworte der Preisträgerin" (Elfriede Jelinek); Die Ballade von den drei wichtigsten Männernund dem Personenkreis um sie herum (Elfriede Jelinek); Ismen (Gabriele Goettle); Lore und die andern (Brigitte Classen); Und ewig rauschen die Binsen (Gabriele Goettle); Theweleit-Phantasien (Christa Reinig); Handapparat (Roswitha Kaever); Offener Brief an Carlo Aymonino (Margrit Kennedy); Die Behinderung der Emanzipation der Frau durch die Wohnung und die Möglichkeiten zur Überwindung (Myra Warhaftig); Bücher die uns aufgefallen sind . Illustrations by Gabriele Goettle and Martine Carol.

no. 10. März 1979. 39 pages, 11 illustrations + text illustrations. Illustrated wrappers. Summary: „La Traversee du Temps Perdu"(Dorothea Muenk); Was die Welt zusammenhält / Aus dem Leben gegriffen (Liesl Ujvary); Die Schattenspender (Gisela Eisner); Tele-Visonen (Gabriele Goettle); Die Zeit der Weiblichkeit (Christa Reinig); Dem Redakteur A. Zensiert (Ursula Krechel); Frohnatur (Brigitte Classen); Vierte Poetikstunde im Gehen (Ginka Steinwachs); Frauengedichte aus der Provinz (Heidi von Plato); Körpersprache oder „Körper" der Sprache? (Eva Meyer); Verführung zur Gedankenlosigkeit (Gisela von Wysocki); Was Gott zusammenfügt; Literatur, die uns aufgefallen ist. Illustrations by Gabriele Goettle and Ulrike Ottinger.

no. 11. Juli 1979. 40 pages, 10 illustrations. Ilustrated wrappers. Summary: Eine Katzengeschichte (Greta Knutson); Allahs Rippe (Maria-Antonietta Macciocchi); Interview der Schwarzen Botin mit Helmut Schmidt (Gabriele Goettle); Das erkaltete Mütchen (Heidi Pataki); Haute Culture (Brigitte Classen); Misone und Mnemosyne: Verheerungen durch Kultur (Marie-Simone Rollin); Interview der Schwarzen Botin mit Maija Tabaka Grazien (Ginka Steinwachs); Ansprache zur Verleihung des Kunstpreises der Stadt Basel(Meret Oppenheim); Literatur, die uns aufgefallen ist. Illustrations by Greta Knutson, Edith Lechtape, Antoine Weber, Gabriele Goettle and Maija Tabaka.

no. 12. Oktober 1979. 37 pages, 15 illustrations. Illustrated wrappers. Summary: Das Pop-Papp-Party-Projekt (Gisela Eisner); praxis (Heidi Pataki); Die Ausgesperrten (Elfriede Jelinek); Verkündung des Rahmens (Heidi von Plato); Eine Zierde für die Literatur Heidi Pataki); Eine Kuckucksländer Legende (Greta Knutson); Die Witwen (Christa Reinig); Textaufgaben (Marianne Garbe); Horror vacui (Jaques Hamelink); Literatur, die uns aufgefallen ist. Illustrations by Gabriele Goettle and Greta Knutson.

no. 13. Dezember 1979. 38 pages, 7 plates. Illustrated wrappers. Summary: Comic. Elisabeth Kmölninger; vögelfrei, eine Spruchsammlung. Elfriede Gerstl; Der Weihnachtsmann. Helga Förster; adonisgärtlein Heidi Pataki; geht seltsame Wege. Patricia Highsmith; Zärtlichkeit. Elisabeth Kmölninger; Das nennt man saftig. Marie-Simone Rollin; Skulpturbild (1979). Edith Lechtape, Antoine Weber; Eine unbefleckte Empfängnis. Gabriele Goettle; nekrophilie (variation). Heidi Pataki; „Gloria" Elisabeth Kmölninger; Andererseits; Lydia Christensen; Metamorphose. Greta Knutson; Emma. Elfriede Jelinek; Schwarze Botin Nr. 1 -12 Autorinnenverzeichnis und Themenverzeichnis; Unglaubliche Sauerei. Elisabeth Kmölninger; Literatur, die uns aufgefallen ist; Das Kind des Jahres.

no. 14/15. 59 pages, 6 illustrations. Illustrated wrappers. Summary: Besser einen Heinrich; Texte über Spanien(Laure); Vorspiel — Annäherung an eine andere Schreibweise (Eva Meyer); Über Luce Irigaray (Sibylle Klefinghaus); Mythenrezeption oder die Suche nach dem Ursprung (Sibylle Klefinghaus); Frauen und Recht oder vor dem Gesetz sind alle gleich (Gunda Schumann); Der Fall von Nichts (Maren Seil); Das Haar (Erna Wobik); Frauen! Woher nehmen? Feminismus heute (Heidi Pataki, Illustrationen Elisabeth Kmölniger); Die Zerreißprobe (Gisela Eisner); Literatur, die uns aufgefallen ist. Illustrations by Vignettes par Grandville, Elisabeth Kmölniger

no. 16. 37 pages, 5 illuatrations. Illustrated wrappers. Summary: Misere im Paradies (Marie-Simone Rollin); Unsere kleine Herde (Heide Kraus-Weygandt); „Warum ist das Chaos weiblich"? (Gerburg Treusch-Dieter); Die Magie der Großstadt, Marieluise Fleißer (Gisela von Wysocki); „Getaumel in den Räumen des Äthers" Karoline von Günderrode und Friedrich Creuzer (Ursula Krechel); Literatur, die uns aufgefallen ist. Illustrations by: Elisabeth Kmölniger + Eve aus der Kathedrale von Autun

no. 17. 40 pages, illustrated throughout. Illustrated wrappers. Summary: Weihnachtlicher Wald; Bombenstimmung; Das Jahrhundertereignis; Ps. Erdbeben ; Christi Geburt ; 1 Kreuz für die ganze Familie; Mausefalle ; Zeitangabe ; Bücherliste; Frohe Weihnacht : Drawings by Elisabeth Kmölniger. Texts: Gabriele Goettle (Die Texte sind eine Montage aus Zitaten.)

no. 23. Juni 1984. 42 pages, numerous illustrations. Illustrated wrappers. Summary: Textesüße Fülle (Heide Pataki); Krankheit oder moderne Frauen. Wie ein Stück. (Elf riede Jelinek); Wie finde ich wieder Stand und leiste so Widerstand (Ginka Steinwachs); Stimmübung für eine Eselin (Marie-Simone Rollin); Das weibliche Alibi (Christa Reinig); Wiederkehr aus dem Schweigen''. Zum Fall, ,Franza" von Ingeborg Bachmann (Marianne Schuller); Mit dem Radaugott um die Welt (Meret Oppenheim); Dort oben in jenem Garten (Meret Oppenheim); „Sehen und gesehen werden/Mythem Frauenakt" (Neda Bei, Liesl Ujavary); Automatische Schwertlilienfelder (Mona Winter); Faso doble (Nicole Gabriel); Im Staub dieses Lebens (Franchise Buisson); Julia Kristeva, „Histoires d'amour" (Annette Runte); I was to be I am (Futur links, 2. Station geradeaus) (Annette Runte); Trister Rosenquist (Melanie Heinz); Mein Tod (Kathy Acker, übers, v. Martina Siebert); HOMINI. Versand schöner Männer zu nützlichen Zwecken; Totgesagte Erotik oder ein Buch ohne Melodie (Heidemarie Stegmann-Meißner); Institut MUTTER ERDE — Frauen begraben Frauen; Literatur, die uns aufgefallen ist Ausweisung (Katharina de Fries). Illustrations: Et nous aussi nous serons meres; car . ..! Michel Joseph Lequeux (2); Tables d'Hötes, Stanislao Lepri (8); Crime et chätiment (Auszug), St. Lep-ri (11); Ich weiß nicht, wie man die Liebe macht, Unica Zürn (18); Luxor (20); Signifier la chose dissimulee" (23); La surface de Moebius ouAvant d'etre separcs, Michel Desimon (24); Photo eines Hundes vor dem Spiegel (27); Schrottplatz (30); Machine a draguer vue en Perspective (32); Homme allonge, Botero; Tableau d'apres un cadavre exuis, Meret Oppenheim (36); Eclipse (Auszug), Toyen (38); Wenn die Musen . . ., Hannah Hoch (39); Begräbnis erster Klasse, Clovis Trouille (41) euro 240

090. Raimund Milberg, Elmar Kraushaar, Al Terego, Peter Scholz, Hans-Jürgen Gold, Luzifer, Daniel Guerin, Martin Sgans, Goldie Ploegmakers, Detlef Stoffel, Haki Kiel, Gerd Raule und Wolfgang Mudra.

Schwuchtel. Eine Zeitung der Schwulenbewegung. Berlin: Rosa Presse Verein, 1975 - herbst 1976. (Nrs. 1-5) News paper size. All issues folded and in fine condition.

Nr. 1. 17 pages, illustrated throughout. Aus dem Inhalt: Editorial des Redaktionskollektivs; Daniel Guerin: Homosexuell und Revolutionär; Faustrecht der Freiheit oder stellt Fassbinder die Klassenfrage?; Dannecker/Reiche: Der Gewöhnliche Homosexuelle; Kritik/Interviews: Schwedische Demokratie und Nazideutschland - Gruppen in der Provinz. - Bosse: Musik Aus Dänemark...

Nr. 2/3. (doppelnummer) märz 76. 23 pages, illustrated throughout. Themenschwerpunkt: Schwule Identität...

Nr. 4. (sondernummer) juni-august 1976. 22 pages, illustrated throughout. Themenschwerpunkt: S/M; Nachrichten; Film; Literatur; Geschichte; Comic; Poesie; Interviews; Berichte; Klappenfotos...

Nr. 5. herbst 1976. 22 pages, illustrated throughout. Thema: Päderastie. Summary: Rosa Von Praunheim: Ich war schon immer etwas glamuröser..; Bundeswehr und Manneszucht; Guattari: Sexualität im Umbruch (2); Otto Normalverbraucher's AA-Kommune; Paul und Ruud: Die Unschuld der Knaben. Interview mit Brühwarm. Rosa Winkel? Das ist doch schonlange vorbei...; von guten Eltern und Bösen Sittenstrolchen; Comix.

'Impressum: Interviews, Berichte, Prosa und Lyrik, Fotografien und Zeichnungen sollen zeigen, wie , Erfahrungen und Schwierigkeiten individuell oder kollektiv verarbeitet wurden. Die Zeitung wird in Schwerpunktnummern geplant. Mit dieser Zeitung soll das Informationsdefizit der Emanzipationsgruppen untereinander behoben werden. Nachrichten über Aktionen, Erfahrungsberichte der Gruppen sollen aber nicht nur die Organisierten, sondern jeden - ob schwul oder nicht - erreichen. Eine Zeitung von Schwulen gemacht für alle, die die Emanzipationsdebatte verfolgt haben, sie vermissen. Für alle, die sich gegen die Reglementierung unseres Körpers wenden.' euro 180

091. Boatto Aldina, Alberto (dir.) Progetto grafico di Magdalo Mussio.

Senzamargine 1. (all published) Roma: Lerici, 1969. Small quarto, 73 pages, of which one 6 page fold-out, illustrated throughout. Illustrated wrappers.

- First edition. Texts by Giulio Carlo Argan: Arte come contestazione"; Alberto Asor Rosa: Vendere liberta; Filiberto Menna: Con allegria e con rabbia; Tommaso Trini: Lavoro libidico 1; Achille Bonito Oliva: Ipotesi per una animazione dei vivi; Germano Celant: Sensorio, sensazionale, sensitivo, sensibile, sentimentale e sensuoso; Alberto Boatto: Approssimazione Duchamp. Illustrations by Jean Pierre Raynaud, Wolf Vostell, Gilberto Zorio, Walter de Maria, Emilio Prini, Filiberto Menna, Dennis Oppenheim, Richard Long and others. euro 100

092. Farassat, Sissi (editor and publisher)

Sioseh. Nrs. 1- 33. (all published) Originally planned as a quarterly magazine. Vienna: Sissi Farassat, 1999 - 2010. All small duodecimo’s (10,5 x 7,4 cm) un paginated (in between 28 – 100 pages). Some issues stapled, some hand stitched, some unbound , while some are presented in an oblong format + nr 17 as a leporello. Illustrated wrappers.

- All first editions. Sissi Farassatis showcasing both her own work and work by 138 other artists - viennese and foreign. Thoughtfully and very personally presented + most issues signed and dated by farassat; some with looslely inserted original work: in nr. 7 a contact print and original photographs in nrs. 9, 20, 24, 30. Nr. 2 of Sioseh is published as part of Eikon. Internationale Zeitschrift fur Photographie und medienkunst. (Heft 26/27) 1998/1999. Nr. 32 consists of loose contributions by a great number of artists with cut outs, photographs, a cd, a silk screen print, a collage, a drawing etc. all part of a street art/graffiti exhibition. nr. 33, the last issue consists of 94 loose cards in a printed slip case. farassat asked the artists to make for this last issue a contribution around the theme 'selfportrait'. 92 of the artists made such a contribution.

' Thirty-three is what SIOSEH means: the smallest photography magazine in the world. Quite extraordinary how a periodical on photography has made its way into public domain because its second issue is not a publication in its own right but a contribution in another photography journal. Such unique placement is quite typical of SIOSEH whose editor will present each new issue at different locations: cafés, bookshops, boutiques, etc. However, with the presentation of a magazine in another a specific quality was lost, namely, the image of a medium. This is why SIOSEH’s size that makes it so striking: the booklets with 36 to 48 pages are the size of a postcard – needless to say when open […] The buyer holds in his hands something not everybody has access to and only a few know. He thus resembles a collector who looks for beauty in the small and creates a universe of his own with his discoveries. Such clientele is quite like the editor herself who usually finds her topics and authors amongst the friends and acquaintances that she gathers around herself. Yet again, she selects a frame that seems quite familiar: each issue ranges from fashion, travel to black and white photographs and begins with commented portraits that Sissi Farassat herself provides. Nevertheless, the outlines of the topics are almost always blurred: at times fashion photos turn out to be murder stories and a journey could lead to Korea or be along the blockade around Vienna’s Parliament building. Often other genres such as pictograms, film stills or comics are also included. One could say that the editor likes to draw borders just to show that they are essentially permeable. Nevertheless, her path does not lead to arbitrariness—there are too many breaks for it to be the case. Sissi Farassat questions the mainstream by taking it with humor, by regarding it as if it were an exotic universe, curiously registering all that surrounds us and by not following the current dictates of taste (…) SIOSEH is not really a magazine but a work of art. Each of its issues is a minor event and occasions an encounter with its editor... (Excerpt from: Timm Starl, “Dreiunddreißig heißt SIOSEH, die kleinste Fotozeitschrift der Welt,” in: FAZ, Feuilleton, 03. 16. 2001, p. 46, ) euro 1.400

eyes on im MUSA: Sissi Farassat "SIOSEH forever" by theartVIEw

093. Perrin, Olivier (directeur) - Gilles Quénant (rédacteur en chef)

Spectacles. Revue Trimestrielle des Arts de la Scene.

N°1. Revue trimestrielle des arts de la scène. Mars 1958. Quarto, 83 pages with numerous photographs and drawings. Illustrated wrappers.

- First edition. Sommaire : L'heure Dostoïevski : Dostoïevski prophète du XXe siècle, par Albert Camus / Dostoïevski dramaturge, par Nina Gourfinkei ; J'ai choisi « l'Idiot », par Gabriel Arout/ Mon Oncle, film de Jacques Tati ; Pour un T. N. P. de la Danse, par André Coffrant et Jean Robin ; Dufilho dans « Phèdre » ; Théâtre de France (Sélection 1957-1958) : Deux poètes (Audiberti et Schehadé) / Les gagnants (« le Journal d'Anne Frank ») / Comment Pascale Audret est devenue Anne Frank, par Marguerite Jamois / Les courageux / Pirandello plus accessible / Racine / Molière et Robert Hirsch ; Mon destin et la Danse, par Serge Lifar ; L'amour et son destin, chez le marquis de Cuevas ; Le rendez-vous Manqué de Françoise Sagan ; La Rentrée des Ballets de Paris de Roland Petit ; La Décentralisation Théâtrale ; Le Théâtre de Province attend des Architectes, par Jeanne Laurent ; Roger Planchon a Villeurbanne : Situation de Roger Planchon, par Roland Barthes / Du Théâtre de la Comédie au Théâtre de la Cité / (« Henri IV» de Shakespeare et« Paolo Paoli »d'Adamov), par Frédéric Towarnicki.

N°2 . Revue trimestrielle des arts de la scène. Juillet 1958. Quarto, 79 pages with numerous photographs and drawings. Illustrated wrappers. Front wrapper with drawing by Saul Steinberg.

- First edition. Sommaire: La Tragédie du Langage. Comment un manuel pour apprendre l'anglais est devenu ma première pièce, par Eugène Ionesco; Ionesco Des « Chaises » vides... à Broadway, par Frédéric Towarnicki ; Goha le Simple de Jacques Baratier et Georges Schehadé ; Festival An XII Dramaturgie à ciel ouvert, par Yves Florenne ; Jean Vilar, Jean Marchat, Jean Le Poulain, André Reybaz, Henry Soubeyran, Jean Deschamps, Albert Camus plaident pour le plein air (enquête de L. Laisner) ; Les Festivals de France 1958. Programme Aix-En-Provence et Mozart, par Gabriel Dussurget ; Le Bourgeois Gentilhomme a L'écran La Comédie-Française au cinéma, par Jean Meyer ; Rosy Varte et Raymond Devos ; L'évolution Du Jeu De L'acteur I. Le jeu intérieur Raf Vallone : l'Art de ne pas « jouer la comédie » / Marlon Brando et Montgomery Clift / Raymond Gérôme au cours du Vieux-Colombier, par Leone Laisner Les Théâtres de Papier, par Jacques Chesnais ; Le Centre Dramatique de l'est : Un centre de créations, par Morvan Lebesque Journal d'un comédien en tournée, par Jean Bolo ; Le Concours De « Spectacles » Spectacles Du Monde : Les cirques de Pékin, et de Moscou par Yves-Bonnat / Le Bolchoï à l'Opéra / L'American Ballet Théâtre / Les acteurs au Théâtre des Nations / Cinq actrices révélées au Festival de Cannes.

N°3 . Revue trimestrielle des arts de la scène. Décembre 1958. Quarto, 83 pages with numerous photographs and drawings. Illustrated wrappers. Front wrapper with drawing by Christian Bérard.

- First edition. Sommaire: Don Juan , indispensable et grandiose nigaud, par Jaques Audiberti Mozart tel qu'il se rêvait Requiem pour Don Juan, par Yves Florenne ; Migueu Manara, Don Juan touché par la grâce, par G.I. Zidonis ; Mon « Don Juan », par Henry de Montherlant ; Don Juan, Esprit Fort, par Roger Vailland ; La Loi, film de Jules Dassin ; Daphnis et Chloé à l'Opéra, par André Boll ; Le maquis des jeunes réalisateurs, enquête et reportage d'Annie Descendres ; Retrrospectacles Les Theatres de Paris font peau neuve, par René Briat: La Renaissance/ Les Bouffes-Parisiens / La Gaîté-Montparnasse ; Les etapes d'une mise en scène Théâtrale (Douze Hommes en colère), par Leone Laisner ; Molière De Tananarive A Dakar Notes sur une tournée de l'ex-T. U. F., par George Pierre ; Les cours d'art dramatique, par L. L Tania Balachova René Simon Le Concours De « Spectacles » (Oscar de l'Elève Comédien).

N°4 . Revue trimestrielle des arts de la scène. Avril, 1959. Quarto, 73 pages, numerous photographs and drawings. Illustrated wrappers. Front wrapper with drawing by Bernard Daydé- Revue.

- First edition. Sommaire: Le droit de la Poésie, par Guy Dumur ; Lorsque cinq ans seront passés, de Lorca, ou La légende du temps, par Marcelle Auclair; Maiakovski, Dramaturge, par Nina Gourfinkel; La Punaise, - de Moscou à Paris, par Paul Nicandre ; Poiret et Serrault, « Chez l'Antiquaire », par Anne Fourny; Luchino Visconti, aristocrate révolutionnaire, par Jean-Pierre Vivet; Annie Girardot, par Leone Laisner; Ballets 59 : Les Ballets Tchérina, par M.-F. Christout / Le Ballet-Théâtre de Maurice Béjart ; On ne badine pas avec L'amour ou René Clair et Musset au T. N. P ; Les Possédés, d'Albert Camus; Spectacles Variés; Barrault au Palais-Royal : Histoire du Palais-Royal, par René Briat / D'Offenbach à Claudel (La Vie parisienne et le Soulier de satin), par Yves Florenne; Connaissez-vous la voie lactée, par Herbert Le Porrier; Christian Bérard, selon ses amis, par Paul-Louis Mignon.

A near mint set euro 150

094. (Duchamp, Marcel)

Studio International jan/feb 1975. London: Studio International publications, 1975. Quarto, 60 + 20 pages, illustrated throughout. Illustrated wrappers. Smaal spot on front wrapper, otherwise very good.

- First edition of this special issue dedicated to Marcel Duchamp. Contributions by Anthony Hill, Françcois Le Lionnais (interviewed by Ralph Rumney), Marcel Duchamp, Jindŕich Chalupeckŷ, Margit Rowell and Katrina Martin+ an article by Max Bill on Duchamp. euro 30

095. William Levy, Heathcote Williams, Germaine Greer, Willem de Ridder, Susan Janssen and Lynne Tillman.

Suck 5. The First European Sex Paper. Amsterdam: Joy Publications, 1971. Tall tabloid style newspaper, un paginated, 20 pages, illustrated throughout. Illustrated wrappers. Front wrapper after photograph by Anna Beeke. A fine unfolded copy.

- First edition. Contains: a tragedy act. 1 (cartoon) by joost troost; suck now by germain; sex angels by r:r:; notes on the second wet dream festival; with william burrough's the penny arcade peep show, otto muehl's oh sensibility, a centerfold that prints bill griffith's young lust; and many other stories, letters and advertisements. euro 80

096. William Levy, Heathcote Williams, Germaine Greer, Willem de Ridder, Susan Janssen and Lynne Tillman.

Suck 6. The First European Sex Paper. Special Family Issue. Editor Amsterdam: Joy Publications, 1971. Tall tabloid style newspaper, un paginated, 23 pages, illustrated throughout. Illustrated wrappers by Alain Urcun. Near mint copy..

- Second, revised printing.. Contains: thru de looking glass by 'jeanne d'arc'; this is my true story by james noël; i am a whore by germaine; a week in the fondle park; william burroughs takes a new look at sexfilms; a full page advertisement for 'the virgin sperm dancer' and furthermore numerous letters and advertisements.euro 80

097. William Levy, Heathcote Williams, Germaine Greer, Willem de Ridder, Susan Janssen and Lynne Tillman.

Suck 7. The First European Sex Paper. Amsterdam: Joy Publications, 1971. Tall tabloid style newspaper, un paginated, 20 pages, illustrated throughout. Illustrated wrappers. Front and rear wrapper by Alain Urcun. Tiny tear to top of front wrapper and bottom of page 12 else fine.

- First edition. This issue with a full-page photograph (by pete sanders) of germaine greer: "stripped to the buff, looking at the lens through my thighs."; articles by harold norse, suzanne brogger, mel clayletters by jean lacques lebel, barbara meter, ; centerfold illustration by alice-claude harmart; drawings by gunther brus, photogaphs by william levy and numerous advertisments. euro 80

098. William Levy, Heathcote Williams, Germaine Greer, Willem de Ridder, Susan Janssen and Lynne Tillman.

Suck 8. The First European Sex Paper. The Last Suck. Editor Wlliam Levy; Design Willem de Ridder; Associate editors Germaine Greer, Jim Haynes, Lynne Tilman and Heathcote Williams. Amsterdam: Joy Publications, 1971. Tall tabloid style newspaper, un paginated, 31 pages, illustrated throughout. Illustrated wrappers. Front wrapper by Frank Cieciorka and rear wrapper with full page drawing by Günther Brus.

- First edition. The last issue with: my first affair by heathcote williams; why resign form suck by germaine greer; why i quit prono by maurice girodias; she talked so me soflty and gave me some valium by rita linnenkamp; confessions of a country doctor by eugene schoenfeld; be fruitful and multiply by john michel and numerous photogaphs, letters and advertisments. euro 80

099. Wangler, Wolfgang (editor)

Symbol 34/35.

bauhaus – 2. generation. Köln: verlag der zeitschrift symbol, 1980. Quarto, 112 pages, numerous illustrations in black and white. Blue cloth and blue illustrated wrappers. Blue cloth slip case.

- First edition. One of 50 copies with an added numbered and signed separate portfolio containing original works (signed and numbered) by eugen batz (photograph); heinrich siegfried bormann (lithograph); heinrich brocksieper (photograph); paul citroen (photograph); hans haffenrichter (lithograph); martin jahn (lithograph); karl klode (lithograph); herbert schurmann (photograph) and fritz tschachnig (photograph). The book prints work and gives short biographies of the following artists: gertrud arndt, gerd balzer, eugen batz, heinrich siegfried bormann, heinrich brocksieper, paul citroen, ilse fehling, hans haffenrichter, martin jahn, karl klode, elsa muche, umbo, herbert schurmann, fritz tschachnig. euro 1.200

100. Wangler, Wolfgang (editor)

Symbol 36.

herbert von arend tapisserie. Köln: verlag der zeitschrift symbol, 1981. Quarto, 12 pages (one fold out page), 12 plates. Illustrated wrappers.

- First edition. One of 50 copies with original signed and numbered silk-screen (a variation on a drawing from 1932 'le jardin d'amour'. Von Arend studied at the Bauhaus from 1928-1932 under Josef Albers, Paul Klee and Kandinsky. With short biography and exhibition list. euro 50

101. Mario Diacono / Claudio Parmiggiani (editors)

TAU/MA. Vol. 7. (last of 7 published) Bologna: Achille Maramotti editore, 1981. Quarto, un paginated, illustrated thoughout in color and in black and white. Illustrated wrappers with front cover by Claudio Parmiggiani + Facsimile: Alexej Krucènich. Chlebnikov inedito. Oblong octavo, 20 pages printed on the ricght hand page on colored stock. Illustrated wrappers. All together in card board box with printed label.

- First edition. One of 1100 numbered copies. Texts: Emilio Villa. Verboracula; Konrad Balder Schàuffelen. Sand Uhr Fata Morgana; Jannis Kounellis. Hotel Louisiane; Francesco Pellizzi. Notes from three promenades through Walter De Maria's Lightning Field; Claudio Parmiggiani. Senza titolo; Remo Guidieri. Doppio orizzonte; Mimmo Paladino. Una piccola storia; Robert Lax. Mother of dark; Carlo Finale. Orfeo e Dioniso. Documents: Tommaso d'Aquino. Aurora Consurgens. euro 220

102. (Malquori, Roberto)

Tèchne. Malquori, Roberto. "Iconosfera". Quaderno 29. Inroduction by Lamberto Pignotti. Text by Eugenio Miccini.Firenze: Tèchne, 1972. Folio, 58 pages, 18 illustrations. Stapled illustrated wrappers.

- First edition. Malquori was one of the members of Gruppo Settanta, formed in 1964 in Florence. The members of the 'Gruppo Settanta' were "multispecialists" (architects, poets, workers, artists etc.) that like the situationists worked collectively for integrating art in society. This early publication prints photo-collages and 'photocopy-collages' that reflect these interests and activities. With short bio-, bibliography and exhibition list. euro 200

103. Radice, Barbara (editor)

Terrazzo. A biannual publication on architecture and design. Nrs. 1- 8 (of 13 published) Fall 1988 – Fall 1992. Milano: Terrazo srl, 1988. All folio size and in stiff wrappers. A near mint set.

Nr.1. Fall 1988. 132 pages, illustrated throughout. The second Modernity. Andrea Branzi; Massimo Iosa-Ghini. Things must pass; Outside the Avant-garde. Herbert Muschkamp; Le Corbusier; Travel Notes by Ettore Sottsass; Antipater of Thessalonika; Johnny Pigozzi. architecture from the sky; Michele de Lucchi. new drawings. Plans (1); Marcus Argentarius; Marmora Romana by Raniero Gnoli.

Nr. 2. Spring 1989. 148 pages, illustrated throughout. Vâstuvidyâ; Fran Lebowitz. on architects; Travel Notes. Ettore Sottsass; On Light; Andrea Branzi: Architecture in shadow; Frank Gehry. Detailing. photographs by Santi Caleca; Paul Lubowicki. Susan Lanier; Francesco Clemente. On architecture; Robert Mapplethorpe. glass; Plans (2); Dr. D.N. Shukla; Greek Temples: The polychorms by Joseph Rykwert.

Nr. 3. Fall 1989. 184 pages, illustrated throughout. Dan Flavin: Aldo Rossi special (more than 50 pages), with: Homage to Etienne Louis Boullée + excerpts from a scientific autobiography; Interiors. Roberto Baldazini. Lorena Canessa; Shiro Kuramata. Purple Shadows by Andrea Branzi. Ettore Sottsass. Travel Notes. On Walls; Interactive design. Francesco Carla; Plans (3). Iconography: The topical enigma or architectural Plans by Marco Frascari: Beauty by Herbert Muschamp.

Nr. 4. Spring 1990. 148 pages, illustrated throughout. Colors; Ettore Sottsass: large, medium and small size private houses. Photographs by Santi Caleca. Letter by Aldo Rossi; Travel Notes. By Ettore Sottsass. On architectural drawings; Helmut Newton: Cities and Towns; Tombstone. Four Pieces and coda on the idea of burial. Franco Pellini; Craig Hodgetts Ming Fung you send me by Herbert Muschamp; Carlos Jiminez. interview by Viola Marquez; C.A.D. by David Kelly; Very Rare and Important by B.J. Archer; Plans (4) A Baroque story by Luigi Serafini; Massimo Giacon Frescos 1988-1989 by Ambrogio Borsani.

Nr. 5. Fall 1990. 144 pages, illustrated throughout. Andrea Branzi: Dolce Stil Nuovo; Toyo Ito: Let it breathe; Josh Schweitzer. interview by Viola Marquez; Italian Radical architecture and design 1966-1973. Emilio Ambasz. Archizoom; 9999; Gianni Pettena; Ettore Sottsass; Superstudio; UFO; Ziggurat.

Nr. 6. Spring/Summer 1991. 229 pages, illustrated throughout. Metropolis by Fritz Lang; Andy Warhol’s Unittled by Daniela Morera. Photo Andy Warhol. Travel Notes by Ettore Sottsas. On the nature of Metropolis; Metropolis (New York, Seoul, Toronto, Los Angeles, Dallas, Rio, Bombay, Cairo, Paris, Tokyo, photographed by Timothey Hursley, Ettore Sottsass, Santi Caleca, Johnny Pigazzi, Shuji Yamada, Nobuyoshi Araki, Shigeichi Nagano …); Humanism versus Environmentalism by Andre Branzi; Moscow. photographs by Helmut Newton; Plans (5) Nostalgia for Utopia (1920-1930) by Beppi Caturagli.

Nr. 7. Spring 1992. 114 pages, illustrated throughout. Arata Isozaki. architecture without irony. Photographs by Yashiro Ishimoto; James Wines. Site green Architecture; Travel Notes. Ettore Sottsass. on kitchens; Plans (6).

Nr. 8. Fall 1992. 116 pages, illustrated throughout. Aldo G. Gargani. Emptiness; Kishin Shinoyama: Tokyo; Stones. photographs by Christina Bishofsberger; Pompei. Ercolano. Oplontis. Photographs by Santi Coleca - Beyond Walls Sergio Capelli, Patrizio Ranzo; Travel Notes. Ettore Sottsass. On ruins; Priya Mookerjee: Pathway icons; Plans (7). euro 350

104. Rober Hirsch (editor)

Total. eine macabre zeitschrift. Kunstbeilage von Prof. Paul Wunderlich. 4. jahrgang nr. 13. Bremen: Self published, (n.d - late sixties) Quarto, 31 pages, numerous illustrations. Illustrated wrappers.

- First edition. Contributions by diettrich kittner, raoul hausmann, roland neumann, peter paul zahl, dieter volkmann, arno reinfrank richard laus and others. With a double page illustration by Giger; a full page illustration by Pit Morell and front cover by H. Eisenmann; a loosely inserted and folded double page black and white print (auf kunstdruckpapier) by paul wunderlich; a folded 'Total' sonderdruck (special edition) with reproduced press clippings about articles that appeared after that one of the former' issues of Total had been refused by the Deutsche Post since images and text had been found to be "sittlich anstöβig" + loosley laid in subscription form. euro 50

105. Roberto di Marco, Perriera Michele, Testa Gaetano. (a cura di) Redazione <centrale Nino Massari. Grafica e impaginazione Magdal Mussio.

Tropico 1. Materiali di azione e ricerca d'avanguardiaditore. Roma: Lerici, 1969. Small quarto, 180 pages, with many typographical interventions and some illustrations. Typographical wrappers.

First edition. Sommario: Carlo Vietti - Vladimiro Zocca: La Svolta Critica del Movimento Studentesco; Violenza e Guerriglia del Movimento Studentesco; La Pedagogia Della Violenza; Elio Di Piazza Napoli: I « Colonizzati » nel Movimento Studentesco; Giuseppe Pontiggia: Gli ultimi Giorni del Romanzo; Nino Massari da: De Anarchia; Grecia: La Violenza in Atto, due lettere dal Carcere; Luigi Gozzi da: Il Pane C'è'; Esercitazione Drammatica 1; Roberto Fracassini Politica e Sadismo; Manrico Fabbrico: Potere Culturale alla Classe Operaia; La Guerriglia Culturale Di Popolo; Walter Benjamin: L'autore Come Produttore; Aldo Rescio da: Critica Della Ragione Poetica; Renato Pedio da: Glare; La Miseria della Filantropia: Le Contraddizioni dell'Umanitaria; Luigi Cavani Società' E Pudore; La Democrazia Violenta; Alessandro Russo: Capitalismo Monopolistico e Controrivoluzione Mondiale; Mario Papini: Mat & Trad; Achille Bonito Oliva: Gesti Verticali e Sociale Corporale. euro 80

106. George Barth, Jean Pierre Girod, Umberto Maggioni and Roger Voser.

Trou. Numéro 1. (of 14 published) Moutier : Editions de la Prévôté, 1979. Quarto,156 pages, 20 full pages illustrations + numerous text illustrations. Green illustrated wrappers. In original card board slipcase.

- First edition. One of 100 numbered copies with original signed and numbered aquatint by Jean Messagier and original signed and numbered ‘gauffrage’ by André Ramseyer. Trou was founded in 1979 by a ‘comite de redaction’ with George Barth, Jean Pierre Girod, Umberto Maggioni and Roger Voser. In this first issue: Jean Messagier, Roger Meier, Anne Cuneo and Andre Ramseyer. Other artists published in the later issues of Trou: Bram van Velde, Ch. Juliet, M. Butor, A. Voisard, M. Oppenheim, J-M. Lovay, F. Pajak, P. Sarto, J. Pache, B. Comment, G. Camesi, C. Bolle, J-B. Vuillème, C. Delarue, G. Cherpillod, F. Scianna, M. Chappaz, H. di Rosa... euro 350

107. Czernich, Michael (editor)

UND nr 1 + 2 + . Zeitschrift für angebliche literatur & andere branchenunübliche kommunikationsformen. München: Maro-verlag, 1970.

nr 1. jan 70 Narrow octavo, 20 pages, numerous illustrations + advertisements for several publishing houses.

nr. 2. mai 70 Narrow octavo size folder containing the 29 pages magazine printed on yellow stock with numerous illustrations. + one printed advertisement sheet from the euphorion verlag.

- First edition of this early seventies poetry magazine. nr. 1: Texts by ulrich raschke, guntram vesper, josef wintjes, michael m. czernich, anfrid astel, benno käsmayr, tiny stricker and manfred bosch. nr. 2: texts by gerd wolter, manfred ach, helut zenker, lutz berger, thmas hr. niehörster, peter melzer and ulric raschke. 'Sozusagen studienbegleitend entstand der MaroVerlag, erst mit der Zeitschrift UND - »zeitschrift für angebliche literatur und andere branchenunübliche kommunikationsformen in dementsprechender aufmachung«, ab Frühjahr 1970 gab es Bücher.'euro 60

108. Ford, Charles Henri (editor)

View. Vol. 1, No. 6. June, 1941. “through the eyes of the poets” (Dali) Editor: Charles Henri Ford. Tabloid size magazine, 4 pages + one loosely laid in page “View poets: folio 4” A little anthology from Chile, Japan, Scotland, the United States and Wales. Illustrations by Tanguy and Seligmann. Folded. Small quarter inch tear in the fold of front cover, otherwise very good.

- First edition. With Nicol Calas’ article: Anti-Surrealist Dali. I say his flies are ersatz”, and articles by Parker Tyler and Troy Garrison.Poems by Nigel Heseltine, Vincente Huidobro, Tom Scott, Thomas James Merton, Norman McCaig, Hugh Chisolm, Leo Isaacs, Sanders Russell, Jack Johnson, Robert Horan and Saburoh Kurado. euro 200

109. Ford, Charles Henri (editor)

View: The Modern Magazine. Series IV, Number 2. May / Summer, 1944. Ford, Charles Henri (editor) New York: View Inc., 1945. Quarto, 36 pages, numerous illustrations. Front cover illustration by Georgia O'Keefe. Light soiling, but a good copy.

- First edition. Contributions by Ossip Zadkine: The minotaur lost and found; Donald Windham: The eyes of Ulysses; Robert Grosseteste: On light; Charmion Wiegand: Ratgeb. furthermore articles on new poetry; the negro poets, jazz of this quarter and an installment on roussel's 'Impressions d'Afrique. euro 60

110. Ford, Charles Henri (editor)

View: The Modern Magazine. Series IV, Number 3. Fall, 1944. Ford, Charles Henri (editor) New York: View Inc., 1945. Quarto, 36 pages, numerous illustrations. Front cover illustration by Fernand Leger.

- First edition. Contributions by Gertrude Cato: The surprising man; Parker Tyler: The erotic spectator; Robert Melville: Three movies in the big game; Giorgio De Chirico: -three installments of his novel "Hebdomeros"; James Johnson Sweeney: Leger and his search for order; Pico Della Mirandola: on the dignity of man; contibutions by Charles Henri Ford, Florine Stettheimer, Leo Poch, Joan Doleska and Barry Ulanov. euor 80

111. Ford, Charles Henri (editor)

View: The Modern Magazine. Series V, Number 2. May, 1945. Tropical Americana presented by Paul Bowles. Ford, Charles Henri (editor) New York: View Inc., 1945. Quarto, 48 pages, numerous illustrations. Front cover illustration by Wilfredo Lam.

- First edition. Contributions by Paul Bowles, Parker Tyler, Edouard Roditi, Bertrand Flornoy; a photographic scrap book by Rudolph Burckhardt and translations from the Tarahumara by Ramon Sartoris. euro 80

112. Ford, Charles Henri (editor)

View: The Modern Magazine. Series V, Number 3. October 1945. Ford, Charles Henri (editor) New York: View Inc., 1945. Quarto, 26 pages, numerous illustrations. Front cover illustration by Morris Hirshfield. Rear cover soiled towards spine and lower part of spine split, otherwise good.

- First edition. With contributions by Siegfried Reinhardt: Americana Fantastica (drawing); Marius Bewley: On the American Macabre; James T. Farrell: Lunch Hour: 1923; Florine Stettheimer: A Reminiscence by Henry McBride and other contributions by Nicolas Calas, Wallace Stevens, Pavel Tchelitchew, Parker Tyler, Lowell Naeve, Lou Harrison and others. euro 50

113. Ford, Charles Henri (editor)

View: The Modern Magazine. Series V, Number 4. November 1945. Ford, Charles Henri (editor) New York: View Inc., 1945. Quarto, 21 pages, numerous illustrations. Front cover illustration by Leon Kelly. Rear cover lightly soiled, otherwise good.

- First edition. Contributions by Parker Tyler: I see the pattern of Nijinsky Clear; Francis Ponge: A new introduciton to the Pebble; Wallace Fowlie: The example of Max Jacob; William Harnett: American Necromantic by Edouard Roditi; Music - ruggles - ives - varese by Lou Harrison; Rouault, painter and moralis by Leon Kochnitzky, etc.euro 50

114. Ford, Charles Henri (editor)

View: The Modern Magazine. Series V, Number 5. December 1945. Ford, Charles Henri (editor) New York: View Inc., 1945. Quarto, 22 pages, numerous illustrations. Front cover illustration by Andre Masson.

- First edition. With contributions by Paul Bowles ‘Visions of the Comte de Permission’; Kurt Seligman ‘Heritage of the accursed’; Jean Ferry ‘ She Woke Me up So I Killed her.’ euro 70

115.

View. Vol. I, nrs. 1,2, 5 7,9, 10; Vol. II, nrs. 1,3,8; Vol. III nrs. 1,2,3. + a reprinted and updated issue of Vol.1, nr. 5 (14 issues of probably 28 published). (White, Robin Interviews by.) Oakland: Crown Press Point, 1978-1986. Small quarto size magazine that prints in between 16 and 24 pages. Each issue with a portrait of the artist on the front cover + an irregular number of illustrations on the inside.

- First editions. Interviews with John Cage, Robert Barry, Tom Marioni (2x), Robert Mangold, Daniel Buren, Jannis Kounellis, Joan Jonas, Terry Fox, Laurie Anderson, Bryan Hunt, Brice Marden and Joyce Kozloff. euro 150

116. Testino, Mario - Carine Roitfeld, Karl Lagerfeld, Yohiji Yamamoto, Isabel and Ruben Toledo, Twyla Tharp, Tony Oursler, Tracey Emin, Gavin Turk, Inez van Lamsweerde a.o.

Visionaire No. 25. New York: Visionaire Publishing, 1998. Square folio sized folded sheets that fit into blue decorated slipcase + a blue decorated protective acetate slipcase, designed by Greg Foley.

- First edition. One of of 5000 numbered copies, with a cd soundtrack produced by Towa Tei. A mint copy. euro 65

117. Crumb, Robert.

Zap Comix. no. 0., 1.,2., 3., 5. San Francisco: Apex Novelties, 1967 – 70. Quarto’s, black and white illustrations.Illustrated stapled wrappers. All issues near mint.

- All first editions, except for the 0 number, which is a second edition (no page numbering). euro 300