046. Finlay, Ian Hamilton - Gordon Huntley. Sailor's Calendar: A Miscellany. New York: Something Else Press, 1971. Small octavo, 18 silkscreened pages printed in different colors, interleaved with thin off-white paper. Ring-bound with three ring. Last interleave loose, otherwise a very good copy.

- First edition. One of 1000 copies, ringbound. euro 100

047. Fischl, Eric - Doctorow, E. L. Scenes And Sequences. Fifty Eight Monotypes. New York: Peter Blum Edition, 1989. XL oblong folio, unpaginated, 58 plates printed in black and white and in color. The first 30 plates are printed on paper measuring 28, 5 x 42 cm and are bound as a smaller separate block in the larger book, of which the pages measure 35 x 48,5 cm; among the larger plates are 7 fold out plates. Half cloth with printed paper over boards. In publisher’s cardboard slipcase.

- First edition. One of 1600 copies. euro 220.

048. Fisher, Joel. Joel Fisher. Introduction by Johannes Cladders. Mönchengladbach: Städtisches Museum, 1975. Printed cardboard box (20, 5 x 16 x 2, 8) containing a 3 page introductory text in typo script by Johannes Cladders; an octavo size catalogue, unpaginated with many illustrations, that describes and documents the conceptual history the exhibition. Catalogue designed by Joel Fisher.

- First edition. One of 550 numbered copies. euro 180

049. Freiles, Antonio. Eminentia. Engraved plastic cover that contains 6 quarto folded pages made of handmade paper. The title page with a text by John Cage "Is whatever deviated from ordinary practice'; one folded page in a bright yellow color, one in an olive green, while the cover has three differntly colored horizontal stripes.

Each book in Freiles' 'Eminentia series' is unique because the paint is poured directly into the wet handmade paper. Signed in pen by Antonio Freiles at the bottom of the inside of rear cover. euro 350

050. Fruhtrunk – Eugen Gomringer – Max Imdahl – Gabriele Sterner. Fruhtrunk. Starnberg: Josef Keller verlag, 1978. Quarto, 94 pages, 41 illustrations. Black printed cloth. + White portfolio containing one title page + 28 original silk screen prints. All together in black card board slipcase. Book + portfolio in mint condition, slipcase is slightly soiled.

- First edition. With contributions by Maurice besset, Günther Fruhtrunk, Dieter Honisch and Jürgen Wissmann. Portfolio contains the following prints: Dynamische Geometrie, 1957/58, Œuvre-Katalog 058; Zwei Rote Linien, 1962/63, Œuvre-Katalog 130; Durchdringungen, 1960/61, Œuvre-Katalog 108; Steigende Reihe, 1963, Œuvre-Katalog 137; Violette Interferenzen im Rot, 1964, Œuvre-Katalog 165; Orgelpunkt, 1965, Œuvre-Katalog 184; Komposition mit zwei Kurven, 1964/65, Œuvre-Katalog 175; Vibration Grün-Blau-Schwarz, 1965/68, Œuvre-Katalog 203; Drei Grün, 1969, Œuvre-Katalog 228; Blaue Partikel, 1964/65, Œuvre-Katalog 168; Bewegende Grün, 1968, Œuvre-Katalog 216; Rote Vibration, 1968, Œuvre-Katalog 218; Skansion, 1972, Œuvre-Katalog 252; Vektoren, 1969/70, Œuvre-Katalog 233; Sehebenen, 1968/69, Œuvre-Katalog 223; Trennende Weiß, 1969, Œuvre-Katalog 226; 2 Rot : 1 Rot, 1971, Œuvre-Katalog 240; Grün im Quadrat2, 1973, Œuvre-Katalog 260; Große Kadenz, 1972, Œuvre-Katalog 256; Agitation, 1974, Œuvre-Katalog 276; Gleichzeitigkeit, 1973/74, Œuvre-Katalog 264; Lapidar, 1974, Œuvre-Katalog 272; Suprematie, 1974, Œuvre-Katalog 268; Evidenz, 1975, Œuvre-Katalog 280; Erfahrung, 1975, Œuvre-Katalog 290; Emanation, 1975, Œuvre-Katalog 289; Erosion, 1975, Œuvre-Katalog 291; Toxische Nymphea, 1976, Œuvre-Katalog 305. This copy signed by Eugen Gomringer on title page. euro 950

051. Furlenmeier, Lina. Incantation 2000… Bale: Atelier Fanal, 1979. Quarto, 40 pages, 8 etchings of which one printed in red. Loose sheets in red clam shell box covered with printed continuous paper for computer printing.

- First edition. One of 20 (28) hand numbered and signed copies on ‘velin d’arches 250 gr’. - les cuivres on ete rayes après tirage. euro 400

052. Geiser, Janie. The tornado treaty. Atlanta: Nexus Press , 1985. Small square duodecimo, un paginated (84 pages). Illustrated wrappers.

- First edition.euro 20

053. Gelatin. The B-Thing. Text by Tex Rubinowitz. Köln: Verlag der Buchhandlung Walther König, 2001. Large octavo, un paginated, 62 pages of which 2 fold out pages + 23 photographic plates. Illustrated paper over boards. Mint.

- First edition. Rubinowitz:” …And then the surgical intervention in the World Trade Center in New York City. Everything top secret and illegal of course. In days of conspiratorial work, somewhere on the 148th floor and using building site refuse they had tediously smuggled into the building under their pullovers, they constructed a functioning load-bearing balcony. In a long complicated process they scratched putty from the tall heavy window, which couldn't be opened. Then they extracted it using suction pads, shunted the balcony out, posed on it at 6 in the morning and had themselves photographed there from a helicopter for their nearest and dearest back home. They kept very mum about it all, because if word had crept out about their coup they could have been fined very heavily for sabotaging a national treasure. Even if it was built by the Japanese. Incidentally, as proof that they were there, there is now a piece of old chewing gum stuck to the outside of the building at a dizzy height….”

Moukhtar Kocache Director of Visual Art & Media: “Dear Colleagues, The purpose of this letter is to categorically deny and refute Gelatin’s (the Austrian art collective) preposterous claim to have removed a window and installed a balcony from the 91st floor of Tower 1 in the World Trade Center, while guests and in residence at World Views, LMCC’s internationally acclaimed studio program. No one in his or her sane mind would believe such an account! Talk about this action has recently taken on plague proportion in the sensation driven and rumor hungry art world. Rumors and claims that are concocted by no one else but Gelatin’s adolescent-like members. Anyone that is familiar with their work knows very well that these boys thrive on shock value and attention. They are pranksters in real life and often aim to introduce an element of doubt and disbelief in their art; they are in fact masters of deception and their real art for the program at the World Trade Center has been to fabricate this action and promulgate it as an urban myth….” euro 160

054. Gerz, Jochen. art information 4. 24.4.1972. Den Medien den Rücken kehren. 25 neue Beiträge für das Telefonbuch von Paris.Dusseldorf: Mediacontact Dietmar Kirves, 1972. Quarto, 22 pages. Printed stapled wrappers.

- First edition. One of 300 numbered and signed copies. "F: Welches von allen Buchern, die du kennst, hattest du am liebsten geschrieben? A: Von allen Buchern die ik kenne, hatte ich am liebsten des Telefonbuch von Paris geschrieben." sold

055. Gerz, Jochen. Nachtbilder. Ein Workshop von Jochen Gerz an der Ecole des Arts Decoratifs von Strasbourg 1979, dokumentiert im Kasseler Kunstverein 1980.Kassel: Kasseler Kunstverein, 1980. Oblong quarto, un paginated, (24 pages) , 20 illustrations. Printed wrappers.

- First edition. Catalogue that documents a workshop (december 7, 1979) where 12 people , while being in a dark room, made 463 drawings. With text ''Jochen Gerz fordert Bazon Brock auf, Fragen zu stellen''. This copy signed in mirror writing on front wrapper. euro 65

056. Goldsworthy, Andy - Rose-Marie Nöcker and Regula Guhl. Werden und Vergehen. Schneeball, Weizengras, Rosenduft. Zurich: Museum Bellerive 1992. Oblong, VIII plus pages with numerous colored illustrations. Blind stamped and die cut thick card board covers.

- First edition. One of 200 copies with original signed 'Schneeball" (Snow ball) drawing by Andy Goldsworthy. euro 70

057. Graeser, Camille - Peer, Andri. Tschich illustraziuns / Vainchot Poesias. Text in ’Engadiner Romanisch’ and German. Turich/Zurich: Ediziun Adolf Hürlimann, 1977. Small quarto, 28 pages, three illustrations + two colored, numbered, and signed silk-screen prints. Illustrations loosely laid in. Printed wrappers. Fine copy.

- First edition. One of 150 (#4) numbered copies, signed by Graeser, Peer and publisher Hürlimann. Silkscreens numbered and signed by Graeser. With 28 ’rätoromanische’ poems (Engadiner Romanisch) by Andri Peer, German translation by Herbert Meier and the author. euro 400

058. Griffa, Giorgio. Drugstore Parnassus. Torino/Aachen: Martano editore/Ottenhaus Verlag, 1981. Quarto, 64 pages, illustrated throughout in black and white and in color. Printed brown wrappers.

- First edition. One of 1000 copies. (dematteis & maffei 1400) euro 40

059. Gudmundsson, Kristjan. Sundays next century. Mönchengladbach: Stadtisches Museum Abteiberg, 1993. Quarto, 14 pages printed in red wtih all the dates on which there will be a Sunday in the 21 century. Printed wrappers + acetate protective wrapper. Ringbound.

- First edition. euro 20

060. Hausmann, Raoul. Material 2. Riqus. N.p.: edition copie im verlag Zweitschrift, 1982. Square octavo, 42 pages, printed on the right hand side. Black printed wrappers.

- First edition. One of 500 copies. Uta Brandes and Michael Erlhoff in foreword: "... 1959 publizierte Daniel Spoerri die Nr. 2 seiner Zeitschrift "material", die von Dieter Roth in drei Versionen gestaltet wurde, wovon die zweite nur aus schwarzen und weißen Seiten bestand. Raoul Hausmann erhielt ein Exemplar dieser Ausgabe und arbeitete darauf und damit weiter. Dieses bearbeitete "material" fanden wir in Raoul Hausmanns Nachlaß. Wir danken Marthe Prevot, die den Nachlaß verwaltet, für ihre Genehmigung, Raoul Hausmanns Version von "material" als Reprint erstmalig (in einer Auflage von 500 Exemplaren) zu veröffentlichen'. euro 45

061. Have, Henrik. Twice. N.p.: Edition After Hand, 1977. Black card board box (3,8 x 23,8 x 17,5) with printed title label pasted on, containing one wooden board with oval stamp and more then 150 printed text pages (mostly one line, or just one or a few words), and approximately 10 pages with reproduced images.

- First edition. One of 150 numbered, dated copies, signed in pencil by Henrik Have. euro 120

062. Hiller, Susan. Sisters of Menon. London: Coracle Press, 1983. Quarto, unpaginated, printed in blue ink. Illustrated boards with pasted on title label. Grey taped spine.

- First edition. One of 750 copies. Published on the occasion of an exhibition held in the Gimpel Gallery mars/avril 1983. euro 180

063. Hofstra, Sjoerd. Gewaarwordingen. Amsterdam: Zet, 1985. Octavo, 34 pages ‘japanese bound’,21 illustrations of which 4 in color + in the center of the book a 3 dimensional frame that contains a colored three relief painting. Illustrated cloth.

- First edition. One of 100 numbered and signed copies. An early book by Sjoerd Hofstra that announces already his will to challenge the two dimensionality of the book. The spectacular artists’ books he would make from the early nineties on, prove that he succeeded this challenge like few other contemporary artists. euro 350

064. Hoinka, Manfred. Graphitarbeiten. München: Ottenhaus Verlag, 1979. Square quarto, 34 pages, 15 original ’graphite-works’(24,5 x 23). Black cloth with pasted on label. Original black slipcase.

- First edition. One of 15 numbered and signed copies with a minimal intervention of Hoinka: a small quantity of graphite blown onto each page. euro 300

065. Huisman, Hetty. A long letter for a long lasting love. Amsterdam: Da Costa/Hetty Huisman, 1983. Plastic yellowish transparent tube with screw top that contains a brown piece of transparent acetate that is covered with powdered clay. The piece is doubled with a somewhat larger and longer piece of protective Japanese paper with the following handwritten text: ‘Amsterdam/ jan 1983/ a long letter for a long lasting love’. The paper is also signed in pen at the bottom: Hetty Huisman / Void distributors’ and is stamped ‘a DA COSTA edition / © Hetty Huisman / Amsterdam 1983/ this is number 3/20. The plastic tube has a cord attached with at the end a lead seal of Void distributors.

- First edition One of 20 numbered, titled and signed copies. euro 350

066. Huisman, Hetty. Ter Bezinking. Amsterdam: Void Distributors, 1982. Oblong octavo, 20 pages of which 8 sheets crystal paper with reproduced handwriting on one side. White printed wrappers.

- First edition. One of 150 numbered and signed copies. euro 50

067. Huisman, Hetty. In Verhouding. Breda: De Beyerd, 1984. Oblong octavo, 10 pages (crystal paper) with a 'travelling' yellow dot and printed poems. White printed wrappers. Wrappers yellowing towards edges.

- First edition. One of 500 copies. euro 30

068. Ibou, Paul. Quadri - Structures. Iboubook 4. Nijlen: self published, 1975. Small duodecimo, un-paginated, (36 pages), illustrated throughout. Printed wrappers.

- First edition. One of 999 numbered and signed copies.’’quadri-structures’ is number four of a series of book experiments in visual communications.’ euro 25

069. Iannone, Dorothy – Roth, Dieter. An Icelandic Saga. + Dieter and Dorothy. Dieter Roth und Dorothy Iannone. Their Correspondence in Words and Works 1967 – 1998. Zürich: Bilger Verlag, 2001. Two volumes. Folio size clam shell box that contains 8 leporellos with silkscreenprints on BFK Rives vat paper from 48 drawings. Decorated card board clam shell box. The accompanying volume of Dieter and Dorothy is in folio, 256 pages, numerous illustrations in color. Illustrated paper over boards

- First edition. One of 250 copies numbered and signed in pencil on the inside of the top of the clam shell box by Dorothy Iannone. Each Leporello is hand numbered and initialed ‘di’. The volume Dieter and Dorothy., that is part of this special edition, is signed in pencil by Dorothy Iannone on the last free endpaper. euro 600

070. Immendorff, Jörg. Lidl 1966 - 1970. Eindhoven: Van Abbemuseum Eindhoven, 1981. Quarto, 95 pages, illustrated throughout. Illustrated wrappers.

- First edition. ‘This book is a documentary: it presents photographs, drawings, texts and original manifestoes related to a certain activity of Jörg Immendorf (with help of many friends) which he named LIDL'. euro 30

071. Indiana, Robert & Robert Creeley. Numbers. Text in English and German. Translation by Klaus Reichert. Stuttgart & Dusseldorf: Edition Domberger & Galerie Schmela, 1968. Quarto, un-paginated, printed on different stock + text printed in black and red, 10 silk screen plates. Printed wrappers. Black printed slipcase. Fine.

- First edition. One of 2500 copies, signed by Robert Creeley and Klaus Reichert on title page. sold

072. Ingold, Res. 5 Einstellungen. Bern: Galerie Lydia Megert,1981. Cardboard file folder box (9,3 x 27 x 33) containing 4 large envelopes - one large manila envelope containing 3 printed sheets, one square piece of linen painted yellow, a postcard with the image of a Swissair airplane in which the logos of Swissair have been painted over + one oval label with the white cross of Swissair painted over in red. The 3 sheets announce an exhibition held in 1981 in de Vleeshal (Middelburg - The Netherlands). one page reads: ”Die Maler am Werk... Seit Sonntag liegt nun die ausgebrannte DC-8 der Swissair in Athen, wohl kaum eine gute reklame für Swissair. So rückte nun die Maler aus und übermalten die erkennbaren, unverbrannten Teile (siehe Bild). Envelope with pasted on label that reads: “die maler am werk./res ingold//bern/middelburg//1980/1981.” - one large white envelope containing 2 folded sheets, 2 original colored photographs (dated with a stamp on the rear) and an image of a painting by Hodler that has been cut in two parts. All the items in this envelope refer to an extension of the Museum of Art in the city of Bern. This envelope has a pasted on label that reads: “zu den wilden reben des kunstmuseums bern//res ingold//bern//april/sept.1981’ - one large light brown envelope containing 24 A4 sheets, 12 of which are photocopies of an image of 3 typewriters and on the other 12 pages people have been trying out these typewriters. Envelope with pasted on label that reads: “the quick brown fox jumps over the lazy dog//res ingold// bern/warenhaus//januar-november//1981. - one square white envelope containing 16 square plastified removable labels (20 x 20), 4 of which are white, 4 red, 4 black and 4 represent an enlarged image of marilyn monroe drinking a bottle of coke.Envelope with pasted on label that reads: “coke//res ingold//bern//dezember 1981.” - one brown Jiffy envelope containing on folded sheet with two illustrations, 3 printed pages and 3 adhesive post card size images of 2 male deer fighting. + one framed painting (30 x 20) representing a white number 2 against a red background. The folded sheet prints the following text: “Enttäuschter Maler ddp. Weil ihn der Kunstkritiker > der ihn angeblich nicht empfangen konnte, hat sich der 27 Jahre alte Maler vor den Augen der Redaktionssekretärin den kleinen Finger und den Ringfinger an der linken Hand abgeschnitten. Die Polizei fand ihn anschliessend blutüberströmt in einem Taxi. Seine Freundin und ein Psychiater mussten ihm im Spital einige Stunden lang zureden, da der sensible Künstler eine Transplantation zunächst abgelehnt hatte.”Envelope with pasted on lable that reads: “enttäuschter maler//res ingold//fribourg/bern//august/ oktober// 1981. The card board box has some tears towards the edges and is somewhat bumped, but good. Inside fine.

- First edition. One of 25 copies. The box has on one side written in pencil 5 einstellungen bern 1981 and signed in pencil by Res Ingold Ingold founded in 1982 the virtual ‘Ingold Airlines’. euro 2.000

073. Ionesco, Eugène- Wotruba, Fritz. Hommage à Fritz Wotruba. St. Gallen: Erker-Presse, 1975. Quarto, 6 folded pages + one etching loosely laid in. Black lithographed wrappers.

- First edition. One of 100 numbered and signed copies. Original etching numbered and signed by Wotruba. The text pages were directly written and signed by Ionesco on the lithographic stone. The colophon is numbered and signed (in pen) by Ionesco separately. This is the second time that the Swiss sculptor and Ionesco worked together. In 1972 Ionesco wrote the text for the opening of the Festival de Salzbourg 1972 also in a lithographic stone and the publication that was made thereafter was accompanied by six original etchings by Wotruba. Ionesco writes in this hommage:’Je suis evidemment partisan d’Israel. Parce que j’ai lu la Bible. Parce que j’ai eu une formation chrétienne. Parce que, après tout, le christianisme est une secte juive. Peut-être parce que si j’ai pu supporter la mort de cinq où dix où quinze ou vingt millions de personnes, je ne peux plus supporter la mort de vingt millions et une personnes….’ euro 200

074. Jacobi, Heinz. A colllection of 3 artists’ books by Heinz Jacobi. Each book is made of bound in sealed envelopes that contain a printed piece of paper, cut out of a magazine, labels, …….. related to the subject that is announce by the title of the book. In most of the books is a one page photo copy that lists the books that are for sale. The list is divided in the following groups : Sexuality; Politics, Superstition, Science, Literature, as well as several books that are offered for sale as unique copies. All books are octavo size and have the imprint of the Euphorion verlag and are published in 1968-69.

Das Große Schweinebuch für das deutsche Schwein. Die geschichte vom Bäuerlein und seiner triebhafter Sau. 1968. 77. auflage. 52 sealed blue envelopes with a stamp of a little swine at the lower right corner. Silver colored aluminum paper wrappers. Loosely laid in a folded photocopy of publications of the euphorion verlag.

Das Große Liebes- Ehe- und Sternenbuch für den deutschen Mann. Lisenz ausgabe mit freundlicher Genehmigung des St. jakobus verlages. 1968. 33 sealed blue envelopes. Silver colored aluminum paper wrappers.

Wundertüten von euphorion. Matrassenpresse. N.d. 20 sealed envelopes, with 14 pasted on labels of wine and beer bottles, ‘Aral’ lotto stickers and stamps. Silver colored aluminum paper wrappers. euro 160 (all three publications)

075. Jadot, Aain. Gegen brotlose Kunst. Das Back Wahn Buch (inkl. Erleuchtung). Berlin: alain jadot verlag, 1987. Card board box (16.3 x 9.5 x 2 cm) containing a bread made of dough (made in Teigwahn) and a candle, held together by a printed wrap around band. Fine copy.

- First edition. One of 500 numbered copies. This copy inscribed on the wrap around band : 'Es gibt viel zu tun: "Gegen brotlose Kunst. Das Back Wahn Buch"; Backen wir es an! Alain Jadot B, den 8.V. 89" euro 250

076. Jadot, Aain. Ketchup Mayo Senf. Berlin: alain jadot verlag, 1988. 13 curry wurst paper plates kept together with a white ringbinding. On the title page a pasted on plastic born fork. each of the other ''pages' has a pasted on printed label with poetic comments on the 'curry wurst culture'. euro 80

077. Johnson, Ray. The Paper Snake. Text on book flaps by William Wilson. New York: Something Else Press, 1965. Small oblong quarto, un paginated (50 pages), illustrated throughout and printed in several colors. Illustrated cloth. Illustrated wrappers. A very fine copy.

- First edition. “Ray Johnson makes eggs out of omelets and Dick Higgins eats them”. euro 160

078. Johnston, Alan. Torn Bough. Edinburgh: Graeme Murray, 1983. Narrow duodecimo, 54 pages, 11 colored etchings, printed on every second right hand page. Light beige cloth. Printed spine. Fine copy of this very subtle work.

- First edition. One of 50 numbered and signed copies. Printed by Alfons Bytautas. euro 220

079. Kaminsky, Thomas. Thomas Kaminsky. Introduction by Marianne Heinz, Sabine Fehlemann and Wolfgang Vomm. Kassel: Staatliche Museen Kassel, 1998. Small quarto, 157 pages, numerous colored plates, and illustrations. Red printed cloth.

- First edition. One of 25 (1000) dated, numbered, and signed copies with an original dated and signed watercolor (23,3 x 15,6) loosely laid in. With texts by Marianne Heinz, Lorenz Dittmann, Stefanie Heraeus, Petra Oelschlägel, Wolfgang Vomm, Sabine Fehlemann, Herbert Maurer, Claudia Grasse, Dieter Kühn und Peter Schalmey. Catalogue for exhibitions held from 19.04.-12.07.1998 in the Staatlichen Museum Kassel, from 14.06. - 30.08.1998 in the Von-der-Heydt Museum Wuppertal and from in the Städtischen Galerie Villa Zanders in Bergisch Gladbach. euro 240

080. Kaminsky, Thomas. Thomas Kaminsky. Introduction by Marianne Heinz, Sabine Fehlemann and Wolfgang Vomm. Kassel: Staatliche Museen Kassel, 1998. Small quarto, 157 pages, numerous colored plates, and illustrations. Red printed cloth. A fine copy.

- First edition. One of 1000 copies. With texts by Marianne Heinz, Lorenz Dittmann, Stefanie Heraeus, Petra Oelschlägel, Wolfgang Vomm, Sabine Fehlemann, Herbert Maurer, Claudia Grasse, Dieter Kühn und Peter Schalmey. Catalogue to exhibitions held from 19.04.-12.07.1998 in the Staatlichen Museum Kassel, from 14.06. - 30.08.1998 in the Von-der-Heydt Museum Wuppertal and from 24.10.1998 - 3.01.1999 in the Städtischen Galerie Villa Zanders in Bergisch Gladbach. euro 40

081. KAWS (Brian Donnelly) The Kimpsons. Seattle: Neverstop, 2002. Octavo, un paginated, (44 pages printed on heavy boards), illustrated throughout.Black illustrated wrappers. Near mint.

- First edition. One of 3000 copies. 'The Kimpsons, subverted the famous American cartoon, The Simpsons. KAWS explains that he “found it weird how infused a cartoon could become in people’s lives; the impact it could have, compared to regular politics. In addition, KAWS has reworked other familiar icons such as Mickey Mouse, the Michelin Manand the Smurfs.' euro 150

082. Lapicque, Charles - Estienne, Charles. O et M. roman. Illustrations de Lapicque. Paris: Le Soleil Noir, 1966. Octavo, 154 pages, frontispiece and 12 full page illustrations. Silk screened wrappers. Original glassine. Uncut copy. In black cardboard slip case. A mint copy.

- First edition. One of 150 numbered copies 'dans la serie " club " du " Soleil Noir "', on "offset Licorne des papeteries Arjomari ", with a numbered and signed silk screened cover by Lapicque. euro 175

083. On Kawara. On Kawara / Date Paintings in 89 Cities. Texts by Karel Schampers, Anne Rorimer and Teresa O'Connor. Rotterdam: Museum Boymans-van Beuningen, 1991. Quarto, 256 pages, illustrated throughout. Illustrated paper over boards. Minor sratches to boards

- First edition. One of 3000 copies. Published on the occasion of exhibitions held in the Museum Boymans-van Beuningen in Rotterdam; deichtorhallen in Hamburg; Museum of Modern Art in San Francisco and in the Museum of Fine arts in Boston. euro 60

084. Kawara, On. I Went I Met I Read Journal 1969. Köln: Verlag der Buchhandlung Walther König, 1992.  Card board box with printed label that contains 4 quarto size volumes. Volume 1 entitled I WENT contains full page maps of Buenos Aires, Asuncion, Foz Do Iguacu, Sao Paulo, Rio De Janeiro, Brasilia, Manaus, Panama, Mexico City and New York on which On Kawara marked on in red the walks that he made on each day ( from januar1 1969 – june 30 1969). Volume 2 entitled I MET contains on each page the names of people Kawara met during the period January 1 –june 30 1969. Volume 3 entitled I READ contains copies of news paper articles that Kawara red in the same period mentioned above. The 4th volume entitled 1969, contains a calendar + images and quotes that Kawara collected in the year 1969. The Volume entitled 1969 slightly bumped towards the top and bottom right edges, otherwise a very good copy in original card board box.

- First edition. One of 300 copies. euro 450

085. Kienholz, Edward. Edward Kienholz 1960 -1970. Düsseldorf: Städtische Kunsthalle Düsseldorf Grabbeplatz, 1970. Vorwort von Karl Ruhrberg und Einführung von Jürgen Harten. Text in German and English. Quarto, un paginated (170 pages of which 12 fold out pages), 142 illustrations of which some (the fold outs) in color. The catalogue has a metal spine that is attached with for screws to a metal rear cover. Printed silver colored leatherette front cover. Book design by Kienholz.

- First German (enlarged) edition of this catalogue that was published before by Pontus Hulten and Katja Walden for the Moderna Museet. Book design by Edward Kienholz. This copy with loosely laid in announcement card of the exhibit and signed on the title page by Edward Kienholz. sold

086. Kienholz Edward. The Art Show: 1963-1977. Edward Kienholz. Introductary note by Pontus Hulten. Berlin / Paris: Berliner Kunstlerprogramm/DAAD – Centre Nationale d’Art et de Culture Georges Pompidou, 1977. Quarto, un paginated, (64 pages) illustrated throughout. Illustrated wrappers.

- First edition. Text in English, German and French. Signed by Kienholz on title page. euro 140

087. Kippenberger, Martin. Der Kippenberger. Stuttgart: Thomas Grässlin,  St. Georgen und Max-Ulrich Hetzler, 1982. Octavo, 106 pages, illustrated throughout in black and white and in color. Printed wrappers.  Minor soiling to wrappers.

- First edition. Texts by Hans Groh, Werner Buttner, Ina Barfuss and Jean-Christoph Amman. Inscribed by Kippenberger on title page “Kuss Kipi”. euro 650

088. Kippenberger, Martin. Die I.N.P.-Bilder. Für Dahn & Dokoupil. Herausgegeben von Wilfried W. Dickhoff. Köln: Galerie Hetzler, 1984. Quarto, un paginated (40 pages, printed on different stock), on tipped in portrait of Kippenberger in frontispiece, 14 plates and 2 fold out pages with 29 colored illustrations. Black wrappers + illustrated dustwrappers with photographic illustrations on the inside wrapper. Mint copy.

- First edition. (glasmeier nr. 290) euro 400

089. Kippenberger, Martin. En cas de réclamation les sentiments vous seront remboursés.  Geneva: Halle Sud, 1989. Octavo, unpaginated,  94 black and white  illustrations. Illustrated wrappers. Very fine copy.

- First edition. euro 180

090. Kippenberger, Martin. Fred the frog/ rings the bell/ once a penny/ two a penny/ hot cross burns. Dreiundzwanzig Gemälde. Neununddreißig englische Gedichte übersetzt von Wolfgang Schlüter. Köln: Galerie Max Hetzler, 1991. Octavo, 86 pages, 23 tipped in plates of which 1 in black and white and 22 in color. Printed green paper over boards. Mint copy.

- First edition. euro 250